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"These influential essays by the noted critic and art historian Benjamin Buchloh have had a significant impact on the theory and practice of art history. Written over the course of three decades and now collected in one volume, they trace a history of crucial artistic transitions, iterations, and paradigmatic shifts in the twentieth century, considering both the evolution and emergence of artistic forms and the specific historical moment in which they occurred."

sculpting --- Conceptual --- ready-mades --- appropriation [imagery] --- painting [image-making] --- Art --- Constructivist --- anno 1900-1999 --- United States --- Western Europe --- Avant-garde (Aesthetics) --- kunst --- beelhouwkunst --- 7.036 --- 7.01 --- portretfotografie --- portretschilderkunst --- portret --- conceptuele kunst --- concept art --- constructivisme --- objet trouvé --- Sovjet-Unie --- montage --- schilderkunst --- Broodthaers Marcel --- kunst en politiek --- kunst en economie --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- Aesthetics --- Modernism (Art) --- History --- Art, European --- Art, American --- Illustration --- Critique d'art --- Marché de l'art --- Avant-garde --- Ready made --- Constructivisme --- Analyse de l'art --- Art conceptuel --- Broodthaers, Marcel --- ready-mades [found objects] --- United States of America

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Art, American --- -Art, European --- -Avant-garde (Aesthetics) --- -Benjamin H.D. Buchloh --- kunst --- twintigste eeuw --- kunsttheorie --- esthetica --- Asher Michael --- Beuys Joseph --- Broodthaers Marcel --- Buren Daniel --- Coleman James --- Graham Dan --- Haacke Hans --- Hantaï Simon --- de la Villeglé Jacques --- Klein Yves --- Arman --- Knight John --- Lamelas David --- Polke Sigmar --- Richter Gerhard --- Serra Richard --- Warhol Andy --- Watts Robert --- Weiner Lawrence --- nouveau réalisme --- fluxus --- pop art --- minimalisme --- postminimalisme --- minimal art --- concept art --- conceptuele kunst --- Spero Nancy --- 7.038 --- Aesthetics --- Modernism (Art) --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- History --- -History --- -Art, American --- Art, European --- Avant-garde (Aesthetics) --- Benjamin H.D. Buchloh --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Avant-Garde (Aesthetics) --- Europe --- 20th century --- Art [European ] --- United States --- Art [American ]

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"An extended, critical appraisal of the contemporary German artist Gerhard Richter"--

Richter, Gerhard, --- Criticism and interpretation.

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Richter, Gerhard --- -Richter, Gerhard --- -Exhibitions --- Criticism and interpretation --- Richter, Gerhard, --- Exhibitions. --- Criticism and interpretation. --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד,

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Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The resulting, highly poetic constructions function as acute reflections of contemporary society. Throughout the years, his subjects have included political figures and historical events, with particular intensity since the events of September 11, 2001. Seen here are images of Ronald and Nancy Reagan, J. Edgar Hoover, both Bush presidents, the Kennedys, Hitler, scenes from the Vietnam War and protest movements, wars in Iraq and Afghanistan, the prisoner abuse of Abu Ghraib, President Obama and Osama bin Laden. Raymond Pettibon (born 1957) studied economics at UCLA around the same time he joined his brother in the punk band Black Flag. He soon began to contribute artwork to album covers, flyers and t-shirts, for the band and its label, SST Records, and exhibited his work in group shows in galleries in the 1980s. Since the 1990s his work has been the subject of numerous major solo exhibitions.

American wit and humor, Pictorial --- Art and war --- Politics in art --- Art --- Political cartoons --- Caricatures and cartoons --- Political aspects --- Pettibon, Raymond,