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art theory --- Hoogstraten, van, Samuel --- Gezichtsbedrog in het kunst --- Illusions d'optique dans l'art --- Optical illusions in art --- Trompe l'oeil painting --- Trompe-l'oeil (Peinture) --- Hoogstraten, Samuel van, --- Hoogstraten, Samuel van, 1627-1678 --- Criticism and interpretation --- Critique et interprétation --- Critique et interprétation --- Hoogstraten, Samuel van --- Netherlands --- Hoogstraten, Samuel van, - 1627-1678 - Criticism and interpretation. --- Trompe l'oeil painting - Netherlands. --- Optical illusions in art. --- Criticism and interpretation. --- Trompe l'oeil (peinture) --- Illusions d'optique --- Van hoogstraten (samuel), 1627-1678 --- Peinture neerlandaise --- 17e siecle

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Art --- Dordrechts Museum --- Dordrecht, Gemeente --- Dordrecht

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"This volume presents the first English translation of Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World (1678). Van Hoogstraten's text was the only comprehensive work on painting written by a Dutch artist in the later seventeenth century and a unique account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands"--

Aesthetics of art --- Painting --- painting [image-making] --- art theory --- Painting, Modern --- Technique --- anno 1600-1699 --- anno 1700-1799 --- kunstliteratuur

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This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700. Like texts, images partook of rhetorical forms and hermeneutic functions – typological, paraphrastic, parabolic, among others – based largely in illustrative traditions of biblical commentary. If the specific relation between biblical texts and images exemplified the range of possible relations between texts and images more generally, it also operated in tandem with other discursive paradigms – scribal, humanistic, antiquarian, historical, and literary, to name but a few – for the connection, complementary or otherwise, between verbal and visual media. The Authority of the Word discusses the ways in which the mutual form and function, manner and meaning of texts and images were conceived and deployed in early modern Europe. Contributors include James Clifton, John R. Decker, Maarten Delbeke, Wim François, Jan L. de Jong, Catherine Levesque, Andrew Morrall, Birgit Ulrike Münch, Carolyn Muessig, Bart Ramakers, Kathryn Rudy, Els Stronks, Achim Timmermann, Anita Traninger, Peter van der Coelen, Geert Warnar, and Michel Weemans.

History of civilization --- inscriptions --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Europe: North --- Symbolism in communication --- Authority in literature --- Authority in art --- Symbolisme dans la communication --- Autorité dans la littérature --- Autorité dans l'art --- Bible --- Evidences, authority, etc. --- Illustrations --- Conferences - Meetings --- Autorité dans la littérature --- Autorité dans l'art --- Communication --- Biblia --- BIOGRAPHY & AUTOBIOGRAPHY / Literary. --- Authority in literature - Congresses --- Authority in art - Congresses --- Symbolism in communication - Europe, Northern - Congresses --- Illustrations.

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Painting --- Eckhout, Albert --- Bor, Paulus --- Bray, de, Dirck --- Peeters, Clara --- Fyt, Jan --- Bray, de, Joseph --- Steenwijck, Harmen --- Francken, Frans [Younger] --- Torrentius, Johannes --- Peschier, N.L. --- Dou, Gerard --- Lievens, Jan I --- Mignon, Abraham --- Beert, Osias I --- Velde, van de, Jan Jansz. III --- Boel, Pieter --- Ravesteyn, van, Hubert --- Kalf, Willem --- Uyl, den, Jan Jansz. I --- Seghers, Daniël --- Verelst, Simon Pietersz. --- Heda, Willem Claesz --- Savery, Roelant --- Ast, van der, Balthasar --- Weenix, Jan --- Roestraeten, van, Pieter Gerritsz. --- Huysum, van, Jan --- Luttichuys, Simon --- Weenix, Jan Baptist --- Bollongier, Hans --- Snyders, Frans --- Beuckelaer, Joachim --- Rembrandt --- Dijck, van, Floris Claesz. --- Coorte, Adriaen --- Heyden, van der, Jan --- Beijeren, van, Abraham --- Brisé, Cornelis --- Heem, de, Jan Davidsz. --- Bruegel, Jan [Elder] --- Aertsen, Pieter --- Bosschaert, Ambrosius [Elder] --- Bailly, David --- Gijsbrechts, Cornelis Norbertus --- Balen, van, Hendrik [Elder] --- Claesz., Pieter --- Berghe, van den, Christoffel --- Ruysch, Rachel --- Oosterwyk, van, Maria --- Anraedt, van, Pieter --- Utrecht, van, Adriaen --- Aelst, van, Willem --- Hoogstraten, van, Samuel --- Gijsels, Peeter --- anno 1500-1799 --- Netherlands --- still lifes --- Art --- stillevens --- trompe l'oeil --- 1550 - 1720 --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Nederland --- Hollandse school --- 1550 - 1720. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Nederland.