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Utopian Generations develops a powerful interpretive matrix for understanding world literature--one that renders modernism and postcolonial African literature comprehensible in a single framework, within which neither will ever look the same. African literature has commonly been seen as representationally naïve vis-à-vis modernism, and canonical modernism as reactionary vis-à-vis postcolonial literature. What brings these two bodies of work together, argues Nicholas Brown, is their disposition toward Utopia or "the horizon of a radical reconfiguration of social relations.? Grounded in a profound rethinking of the Hegelian Marxist tradition, this fluently written book takes as its point of departure the partial displacement during the twentieth century of capitalism's "internal limit" (classically conceived as the conflict between labor and capital) onto a geographic division of labor and wealth. Dispensing with whole genres of commonplace contemporary pieties, Brown examines works from both sides of this division to create a dialectical mapping of different modes of Utopian aesthetic practice. The theory of world literature developed in the introduction grounds the subtle and powerful readings at the heart of the book--focusing on works by James Joyce, Cheikh Hamidou Kane, Ford Madox Ford, Chinua Achebe, Wyndham Lewis, Ngugi wa Thiong'o, and Pepetela. A final chapter, arguing that this literary dialectic has reached a point of exhaustion, suggests that a radically reconceived notion of musical practice may be required to discern the Utopian desire immanent in the products of contemporary culture.

English literature --- Politics and literature --- African literature --- Comparative literature --- Modernism (Literature) --- Politics in literature. --- Utopias in literature. --- History and criticism. --- History --- English and African. --- African and English. --- Utopian literature --- Political science in literature --- Crepuscolarismo --- Literature, Comparative --- Literature --- Literature and politics --- History and criticism --- Political aspects --- Literary movements --- Postmodernism (Literature) --- Philology

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Art and business --- Art and business. --- Art and society --- Art and society. --- Art, Modern --- Arts --- Autonomie. --- Kapitalismus. --- Kritische Theorie. --- Kunst. --- Kunstmarkt. --- History --- Economic aspects --- Economic aspects. --- Political aspects.

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Literature

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Australia, Canada, and Ireland are all engaged in questions of multiculturalism and in the politics of recognition and reconciliation, the opportunities and pressures of geographic regionalism, shifts in political agendas associated with the impact of neo-liberalism, and moves to frame political agendas less at the macro-level of state intervention and more at the level of community partnership and empowerment. In related but distinct ways, each state is being challenged to devise policies and offer outcomes that address an unfolding and unsteady synthesis of issues relating to citizen

Citizenship -- Congresses. --- Multiculturalism -- Australia -- Congresses. --- Multiculturalism -- Canada -- Congresses. --- Multiculturalism -- Ireland -- Congresses. --- Citoyennete --- Multiculturalisme --- Citizenship --- Multiculturalism --- Cultural diversity policy --- Cultural pluralism --- Cultural pluralism policy --- Ethnic diversity policy --- Social policy --- Anti-racism --- Ethnicity --- Cultural fusion --- Government policy --- History --- Diversity --- Public Policy --- Sociology --- Australia --- Canada --- Ireland --- Jus soli --- Quebec

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