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History of Asia --- History of Africa --- anno 1930-1939 --- anno 1920-1929 --- Africa --- Economic conditions --- 1918-1945 --- Congresses --- Asia --- 1918 --- Depressions --- 1929
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This Handbook provides a comprehensive overview of the latest research on Internet governance, written by the leading scholars in the field. With an international focus, it features contributions from lawyers, economists and political scientists across North America, Europe and Australia. Thought-provoking chapters cover topics such as ICANN, the Internet Governance Forum, grassroots activism, innovation, human rights, privacy in social networks, and network neutrality. Contents Contributors include: J. Bauer, A. Brown, I. Brown, L. Bygrave, J. Cave, N. Economides, L. Edwards, M. Froomkin, G. Greenleaf, J. Hofmann, G. Hosein, R.F. Jørgensen, C. Marsden, A. Matwyshyn, T.J. McIntyre, M. Mueller, A. Powell, J. Tåg, M. van Eeten, R. Weber, M. Ziewitz Further information The Internet is now a key part of everyday life across the developed world, and growing rapidly across developing countries. This Handbook provides a comprehensive overview of the latest research on Internet governance, written by the leading scholars in the field. With an international focus, it features contributions from lawyers, economists and political scientists across North America, Europe and Australia. They adopt a broad multidisciplinary perspective, taking in law, economics, political science, international relations, and communications studies. Thought-provoking chapters cover topics such as ICANN, the Internet Governance Forum, grassroots activism, innovation, human rights, privacy in social networks, and network neutrality. Being a forward-looking guide for the next decade, this Research Handbook will strongly appeal to scholars and graduate students in the social sciences studying and researching Internet governance, political scientists, economists, lawyers and computer scientists working on governance issues, as well as regulators and policymakers responsible for Internet govern
Internet governance --- Internet --- Law and legislation --- Law and legislation. --- Industrial management -- Developing countries -- Handbooks, manuals, etc. --- Law, Politics & Government --- Law, General & Comparative --- Internet governance - Law and legislation --- Internet - Law and legislation
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"Focusing on the theatrical use of historical figures, narratives and myths, History as Theatrical Metaphor considers the malleability of history and how this relates to different times, changing perceptions of the nation and shifting political agendas in Scotland. The major strength of this important and lively new book is Ian Brown’s encyclopaedic knowledge of the rich and diverse theatrical culture of Scotland, combined with his understanding of wider European traditions and his experience as a playwright. This combination enables him to trace genealogies, offer comparative commentary and it facilitates a deep understanding of the ideological consequences of themes, myths, language, dramaturgy and theatrical strategies. Focusing on leading Scottish playwrights including David Greig, Liz Lochhead, John McGrath, Robert McLellan and Rona Munro, Brown explores how they have created plays that draw attention to competing versions of history, marginalised histories and the potential to revision history as a way of engaging in debates around such themes as power, independence, gender and the past and future of the Scottish nation." - Nadine Holdsworth, Professor of Theatre and Performance, Warwick University, UK "Ian Brown has written an excellent book about the infinite adaptability of history. He opened my eyes to a world of pre-20th century Scottish drama of which I was only dimly aware. He also writes about more familiar figures, from Barrie and Bridie to Lochhead and Munro with a scholarly brio that demonstrates their ability to find a metaphor for the present in the past. I learned a massive amount from Ian Brown's informed intelligence." - Michael Billington, the Guardian theatre critic This revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood. Setting these writers’ achievements in the context of their Scottish and European predecessors, Ian Brown offers fresh insights into key aspects of Scottish theatre. As such, this represents the first study to offer an overarching view of historical representation on Scottish stages, exploring the nature of ‘history’ and ‘myth’ and relating these afresh to how dramatists use – and subvert – them. Engaging and accessible, this innovative book will attract scholars and students interested in history, ideology, mythology, theatre politics and explorations of national and gender identity.
Culture --- Ethnology --- Theater. --- Performing arts. --- Cultural and Media Studies. --- Theatre and Performance Studies. --- British Culture. --- Performing Arts. --- Study and teaching. --- Europe. --- History. --- Literature. --- Mass media. --- Show business --- Mass communication --- Media, Mass --- Media, The --- Belles-lettres --- Western literature (Western countries) --- World literature --- Annals --- Arts --- Performance art --- Communication --- Philology --- Authors --- Authorship --- Auxiliary sciences of history --- Ethnology-Europe. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Ethnology—Europe.
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This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the ‘United Kingdom’ means to Scots and English. It contrasts the treatment of Shakespeare and Burns as ‘national bards’ and considers the implications of Scottish scholars’ invention of ‘English Literature’. It engages with Scotland’s language politics –rebutting claims of a ‘Gaelic Gestapo’ – and how borders within Scotland interact. It replaces myths about ‘tartan monsters’ with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media.
Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History. --- Theater. --- Performing arts. --- Self. --- Identity (Psychology). --- National/Regional Theatre and Performance. --- Contemporary Theatre. --- Performing Arts. --- Self and Identity. --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- Consciousness --- Mind and body --- Thought and thinking --- Will --- Show business --- Arts --- Performance art
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Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation´s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama, culture, and political change in Scotland in the 20th and 21st centuries, drawing on the work of an extensive range of modern and contemporary Scottish playwrights and drama practitioners.
Theater --- Multiculturalism in the theater --- Multiculturalism in the theater. --- Theater. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History. --- Scotland. --- Caledonia --- Ecosse --- Schotland --- Scotia --- Škotska --- Sŭkʻotʻŭlland --- Great Britain
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At the beginning of the twentieth century, Burma was among the most prosperous territories in the East. Yet since gaining independence in 1948, its economy has struggled. Burma's developmental failure has often been attributed to gross mismanagement of the economy by the military who took power in 1962 but in this illuminating book, Ian Brown, one of the leading economic historians of Southeast Asia, provides a fresh examination of the country's economic past, thereby setting that failure in the context of the colonial period. For the first time, a review of Burma's economic experience in the final decades of British rule is integrated with an analysis of its economy since independence, providing a detailed understanding of the complex origins of Burma's economic failure in the second half of the twentieth century. This is a compelling introduction to Burma's political and economic history for students in Southeast Asian history, development studies and political science.
Burma --- Birmanskiĭ Soi︠u︡z --- Union of Burma --- Burma (Union) --- Socialist Republic of the Union of Burma --- Pyidaungsu Myanmma Naing Ngan-Daw --- Birmanie --- Birmânia --- Myanmar --- Mien Chin --- Burmah --- Pyidaungzu Myanma Naingngandaw --- Myanma Naingngandaw --- Pyidaungsu Socialist Thammada Myanma Naingngandaw --- Mranʻ mā --- Praññʻ thoṅʻ cu Chuirhayʻlacʻ Sammata Mranʻ mā Nuiṅʻ ṅaṃ toʻ --- Union of Myanmar --- Birma --- Myanma --- Republic of the Union of Myanmar --- Pyidaunzu Thanmăda Myăma Nainngandaw --- Mianmar --- Unie van Mianmar --- Unie van Birma --- Pyi-daung-zu Myan-mar Naing-ngan-daw --- Myanma Birliyi Respublikası --- М'янма --- M'i︠a︡nma --- Рэспубліка Саюз М'янма --- Rėspublika Sai︠u︡z M'i︠a︡nma --- П'ідаўнзу М'янма Найнганда --- P'idaŭnzu M'i︠a︡nma Naĭnhanda --- Саюз М'янма --- Sai︠u︡z M'i︠a︡nma --- Mijanmar --- Mijanmarska Unija --- Мианмар --- Република Съюз Мианмар --- Republika Sŭi︠u︡z Mianmar --- República de la Unió de Myanmar --- Birmanya --- Barma --- Svazová republika Myanmar --- Undeb Myanmar --- Myanmar Unionens Republik --- Pyidaungsu Thamada Myanmar Naing-Ngan-Daw --- Pye Tawngsu Thammada Myanma Naingngan --- Republik der Union von Myanmar --- Myanmari Liidu Vabariik --- Μιανμάρ --- ʼΕνωση του Μιανμαρ --- Enōsē tou Mianmar --- Βιρμανία --- Virmania --- Μπούρμα --- Bourma --- Δημοκρατία της ʼΕνωσης της Μιανμάρ --- Dēmokratia tēs Enōsēs tēs Mianmar --- Unión de Myanmar --- República de la Unión de Myanmar --- Birmo --- Mjanmao --- Mjanmaa Unio --- Myanmarko Batasuna --- République de l'Union du Myanmar --- Myanmarin tasavallan unioni --- Puruma --- Maenmar --- Unión de Birmania --- Mjanmar --- Mjanma --- Unija Mjanmar --- Mianmari Államszövetség Köztársasága --- ミャンマー --- 미얀마 --- Miyanma --- 버마 --- Bŏma --- 缅甸 --- Miandian --- Praññʻ thoṅʻ cu Sammata Mranʻ mā Nuiṅʻ ṅaṃ toʻ --- Mranʻ mā Nuiṅʻ ṅaṃ toʻ --- Pyidaungzu Thammada Myanma Naingngandaw --- Economic conditions --- Economic policy --- Social policy --- Politics and government --- Economic policy. --- Social policy. --- National Unity Government of Myanmar --- National Unity Government of the Republic of the Union of Myanmar
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The School of Oriental and African Studies, a college of the University of London, was established in 1916 principally to train the colonial administrators who ran the British Empire in the languages of Asia and Africa. It was founded, that is, with an explicitly imperial purpose. Yet the School would come to transcend this function to become a world centre of scholarship and learning, in many important ways challenging that imperial origin. Drawing on the School's own extensive administrative records, on interviews with current and past staff, and on the records of government departments, Ian Brown explores the work of the School over its first century. He considers the expansion in the School's configuration of studies from the initial focus on languages, its changing relationships with government, and the major contributions that have been made by the School to scholarly and public understandings of Asia, Africa, and the Middle East.
University of London. --- SOAS --- S.O.A.S. --- School of Oriental and African Studies, University of London --- History.
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"Focusing on the theatrical use of historical figures, narratives and myths, History as Theatrical Metaphor considers the malleability of history and how this relates to different times, changing perceptions of the nation and shifting political agendas in Scotland. The major strength of this important and lively new book is Ian Brown’s encyclopaedic knowledge of the rich and diverse theatrical culture of Scotland, combined with his understanding of wider European traditions and his experience as a playwright. This combination enables him to trace genealogies, offer comparative commentary and it facilitates a deep understanding of the ideological consequences of themes, myths, language, dramaturgy and theatrical strategies. Focusing on leading Scottish playwrights including David Greig, Liz Lochhead, John McGrath, Robert McLellan and Rona Munro, Brown explores how they have created plays that draw attention to competing versions of history, marginalised histories and the potential to revision history as a way of engaging in debates around such themes as power, independence, gender and the past and future of the Scottish nation." - Nadine Holdsworth, Professor of Theatre and Performance, Warwick University, UK "Ian Brown has written an excellent book about the infinite adaptability of history. He opened my eyes to a world of pre-20th century Scottish drama of which I was only dimly aware. He also writes about more familiar figures, from Barrie and Bridie to Lochhead and Munro with a scholarly brio that demonstrates their ability to find a metaphor for the present in the past. I learned a massive amount from Ian Brown's informed intelligence." - Michael Billington, the Guardian theatre critic This revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood. Setting these writers’ achievements in the context of their Scottish and European predecessors, Ian Brown offers fresh insights into key aspects of Scottish theatre. As such, this represents the first study to offer an overarching view of historical representation on Scottish stages, exploring the nature of ‘history’ and ‘myth’ and relating these afresh to how dramatists use – and subvert – them. Engaging and accessible, this innovative book will attract scholars and students interested in history, ideology, mythology, theatre politics and explorations of national and gender identity.
Sociology of culture --- Didactics of the arts --- Ethnology. Cultural anthropology --- Theatrical science --- History of civilization --- etnologie --- performances (kunst) --- theater --- cultuur --- Europese cultuur --- McGrath, John --- Lochhead, Liz --- Great Britain --- Europe
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Elite (Social sciences) --- History --- Thailand --- Economic policy. --- Politics and government.
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