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machines [general equipment] --- automata --- science --- kunstkamer --- Art --- Art and technology --- Antiquities --- Industrial museums --- Art museums --- Science museums --- Art et technologie --- Antiquités --- Technologie --- Sciences --- History --- Histoire --- Musées --- Antiquités --- Musées --- science [modern discipline] --- cultuurgeschiedenis

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Political philosophy. Social philosophy --- Art --- Legal theory and methods. Philosophy of law --- anno 1600-1699 --- anno 1700-1799

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Warburg, Aby Criticism and interpretation --- -Congresses --- Warburg, Aby, --- Warburg, Aby Moritz,

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Philosophy of nature --- Nature --- Nature, Philosophy of --- Natural theology --- Philosophy --- Leibniz, Gottfried Wilhelm, --- Leibnitz, Gottfried Wilhelm --- Leibniz, Gottfried Wilhelm --- Philosophy of nature. --- Criticism and interpretation.

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Contemporary biographies of Galilei emphasize, in several places, that he was a masterful draughtsman. In fact, Galilei studied at the art academy, which is where his friendship with Ludovico Cigoli developed, who later became the official court artist. The book focuses on this formative effect – it tracks Galilei’s trust in the epistemological strength of drawings. It also looks at Galilei’s activities in the world of art and his reflections on art theory, ending with an appreciation of his fame; after all, he was revered as a rebirth of Michelangelo. For the first time, this publication collects all aspects of the appreciation of Galilei as an artist, contemplating his art not only as another facet of his activities, but as an essential element of his research.

Drawing --- drawings [visual works] --- Galilei, Galileo --- Technical illustration --- Science, Renaissance --- Illustration technique --- Sciences de la Renaissance --- Galilei, Galileo, --- Contributions in art. --- kunst en wetenschap