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Aperture masters of photography; Manuel Alvarez Bravo
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Year: 1997 Publisher: Keulen : Könemann,

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Planeacion industrial en Mexico : Notas sobre ensayos y experiencias.
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Year: 1949 Publisher: [s.l.] : Banco de Mexico,

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Juan Gerson, pintor indígena del siglo XVI - símbolo del mestizage - Tecamachalco puebla.
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Year: 1972 Publisher: Mexico Fondo editorial de la plástica Mexicana

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Mural painting of the Mexican revolution, 1921-1960
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Year: 1960 Publisher: Mexico Fondo editorial de la plastica mexicana

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Manuel Álvarez Bravo
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Year: 1976 Publisher: Paris : La photogallerie,

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Manuel Álvarez Bravo in color
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ISBN: 9788417975180 8417975187 Year: 2020

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This book is the first devoted entirely to Alvarez Bravo color photographs. Although the language of Alvarez Bravo was black and white, he produced around 3,000 photographs in color.0Of this body of work, this book presents over 80 of the most significant images, many of them published for the first time, covering a broad spectrum, from his classic photographs to his little-known color experiments. Alvarez Bravo (1902-2002) is a key figure in Latin American photography in the XX Century. Born in Mexico and self-taught, his career spanned 80 years.0Influenced by European masters first, Avant-garde photography and the Mexican Muralist movement later, he developed a very personal style that has been considered as the beginning of a true Mexican photography. His work is part of the collection of the most important Museums in the world.


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Classification de bois de l'Amazonie péruvienne (caractères anatomiques et physiques)
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Year: 1973 Publisher: Tervuren

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Manuel Alvarez Bravo : Palácio da Cidadela, Cascais, Portugal, 21 de Novembro a 6 de Dezembro de 1987.
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Year: 1987 Publisher: Cascais, Portugal : Palácio da Cidadela,

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Classification de bois de l'Amazonie péruvienne (caractères anatomiques et physiques)
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Year: 1973 Publisher: Tervuren Musée royal de l'Afrique Centrale

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Manuel Álvarez Bravo
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ISBN: 9782330002862 2330002866 Year: 2012 Publisher: [Arles] : Actes Sud,

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Initié très tôt aux arts plastiques par son père et son grand-père, Alvarez Bravo interrompt ses études à l’âge de treize ans, époque où il reçoit en cadeau son premier appareil photographique. Il exerce différents métiers, en ne cessant d’approfondir sa technique photographique avec du matériel rudimentaire et en s’initiant aux courants et tendances artistiques de son temps. Dès 1927, il ouvre une modeste galerie dans son appartement de México où il expose notamment Frida Kahlo et Diego Rivera. Il est très vite remarqué par la critique internationale et se lie d’amitié avec de nombreux photographes dont Edward Weston, Paul Strand, Henri Cartier-Bresson. Car Manuel Alvarez Bravo incarne, à plus d’un titre, une forme exceptionnelle de cosmopolitisme artistique : son œuvre, bien que tout à fait personnelle, se nourrit parallèlement des grands courants et mouvements artistiques européens dont il suit attentivement les réflexions et avancées.

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