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A ground-breaking artist of her time, late sixteenth-century Bolognese artist Fontana is widely considered to be the first woman artist to achieve professional success beyond the confines of a court or a convent. Fontana was the first woman to manage her own workshop, and the first woman to paint public altarpieces and female nudes. She maintained an active career, painting for many illustrious patrons, while also taking on the role of wife and mother. Exploring Fontana's extraordinary life through her paintings and drawings, the exhibition will offer insight into the cultural climate that enabled her to flourish as a female artist of the period. This will be the first monographic exhibition to examine Fontana's work in over two decades, and the first to focus on her portraits. It will bring together a selection of her most highly regarded works from international public and private collections, alongside the artist's celebrated The Visit of the Queen of Sheba to King Solomon, from the Gallery's own collection.

Painting --- Bologna, school van --- Fontana, Lavinia --- kunst --- schilderkunst --- renaissance --- Italië --- 75.071 FONTANA --- Fontana Lavinia --- zestiende eeuw --- zeventiende eeuw --- portretschilderkunst --- portretten --- religieuze schilderkunst --- kunst en religie --- honden --- dieren --- Fontana, Lavinia, --- Women painters

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Painting --- easel paintings [paintings by form] --- narrative cycles --- narrative art --- Spanish Renaissance-Baroque styles --- De Verloren zoon --- Castillo y Saavedra, del, Antonio --- Ambrose of Milan --- Joseph of Egypt --- Murillo, Bartolomé Esteban --- Valdés Leal, de, Juan --- Spain --- barok --- christelijke iconografie --- 17de eeuw --- Spanje --- Andalousië --- barok. --- christelijke iconografie. --- Murillo, Bartolomé Esteban. --- 17de eeuw. --- Spanje. --- Andalousië.

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Drawing --- Painting --- drawing [image-making] --- painting [image-making] --- influence --- Bologna, school van --- Reni, Guido --- Spain