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"As the publishing, film and music industries are dominated by Big Media conglomerates, there is often recourse to simplistic ideological and conspiratorial readings of industry dynamics. Copyright, Creativity, Big Media & Cultural Value: Incorporating the Author explains why copyright is much more than a creator's private property right or a mechanism through which corporations control cultural production and influence mass consumption choices. The volume is grounded in extensive, painstakingly detailed and colourful original archival research into business histories of major successful artists including Conan Doyle, Hall Caine, Margaret Atwood, Dame Nellie Melba, Radiohead and Banksy, and the industries and genres that grew up around their activities. Chapters address big questions about how copyright generates income and how distributions of profits are allocated in the publishing, film and music industries. It includes discussion of the creation of new formats, the interplay between old media and new technologies, international copyright reform and cross-industry relations. Copyright, Creativity, Big Media & Cultural Value is a wide-ranging and important resource for students and practitioners of law and policy, media studies, cultural studies and literary history"--
Copyright. --- Authorship. --- Creative ability. --- Droit d'auteur. --- Authenticité --- Créativité --- Copyright --- Authorship --- 347.78 --- Creative ability --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Creativeness --- Creativity --- Ability --- Creation (Literary, artistic, etc.) --- 347.78 Auteursrecht --- Auteursrecht --- Law and legislation --- Authenticité --- Créativité
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Acqui 2006 --- Internet
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Much of the real value in the entertainment industry today lies in franchises - fictional universes, entertainment concepts, reinventions of cultural traditions and celebrity - that create an ongoing presence in the marketplace. The entertainment franchise now shapes the global cultural landscape. However, scholars have devoted little attention to how intellectual property law has changed or is being stretched in practice to accommodate this type of creativity and form of enterprise. Covering law and practice in jurisdictions such as the UK, the EU, the USA, Australia, Spain and the Caribbean, this collection explores the 'fit' of intellectual property laws with specific franchises and tracks the way creators and entrepreneurs work around law's limitations. Case studies include mega-film franchises, fan activity, hip-hop, the management of celebrity reputation, flamenco, 'Disneyfied' theatre, film and television funding, arts festivals and 'carnival in a box'.
Authorship. --- Intellectual property. --- Copyright. --- Franchises (Retail trade) --- Entertainers --- Performers --- Performing artists --- Show business personalities --- Show-men --- Artists --- Agency (Law) --- Trade regulation --- Copyright --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- IP (Intellectual property) --- Proprietary rights --- Rights, Proprietary --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Law and legislation. --- Legal status, laws, etc. --- Law and legislation
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Adventures in Childhood connects modern intellectual property law and practice with a history of consumption. Structured in a loosely chronological order, the book begins with the creation of a children's literature market, a Christmas market, and moves through character merchandising, syndicated newspaper strips, film, television, and cross-industry relations, finishing in the 1970s, by which time professional identities and legal practices had stabilized. By focusing on the rise of child-targeted commercial activities, the book is able to reflect on how and why intellectual property rights became a defining feature of 20th century culture. Chapters trace the commercial empires that grew around Alice in Wonderland, Peter Rabbit, Meccano, Felix the Cat, Mickey Mouse, Peter Pan, Eagle Magazine, Davy Crockett, Mr Men, Dr Who, The Magic Roundabout and The Wombles to show how modern intellectual property merchandising was plagued with legal and moral questions that exposed the tension between exploitation and innocence.
License agreements --- Intellectual property --- Children's mass media --- Children's paraphernalia --- Child consumers
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"Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. A Research Agenda for Intellectual Property Law and Gender expertly examines patent, copyright and trade mark law, bringing to light hidden gender biases and narratives that impact intellectual property law and practice today. Exploring how gender discrimination and inequality are often built into the way the law functions, it assesses the possibilities and limits of existing strategies to improve gender inclusion and equality, and paves a research agenda for the future. This Research Agenda analyses gender-related issues in the context of intellectual property practice. It addresses the consequences of the gendered nature of the law, with contributing authors deploying a variety of methodologies including theoretical, critical, historical, interdisciplinary, intersectional, reformist and revolutionist. They critically reflect on key themes such as power, privilege and pervasiveness in intellectual property, highlighting a multitude of problems that women face in their interactions with the intellectual property system and how these issues can be addressed. This Research Agenda is an indispensable resource for legal academics and law students with a particular interest in intellectual property law and the interactions between gender and the law. Policymakers and legal practitioners will also find its practical applications to be of interest"--
Intellectual property. --- Feminist jurisprudence. --- Sex discrimination against women. --- Equity. --- Feminism. --- Queer theory. --- Women.
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Adventures in Childhood connects modern intellectual property law and practice with a history of consumption. Structured in a loosely chronological order, the book begins with the creation of a children's literature market, a Christmas market, and moves through character merchandising, syndicated newspaper strips, film, television, and cross-industry relations, finishing in the 1970s, by which time professional identities and legal practices had stabilized. By focusing on the rise of child-targeted commercial activities, the book is able to reflect on how and why intellectual property rights became a defining feature of 20th century culture. Chapters trace the commercial empires that grew around Alice in Wonderland, Peter Rabbit, Meccano, Felix the Cat, Mickey Mouse, Peter Pan, Eagle Magazine, Davy Crockett, Mr Men, Dr Who, The Magic Roundabout and The Wombles to show how modern intellectual property merchandising was plagued with legal and moral questions that exposed the tension between exploitation and innocence.
License agreements --- Intellectual property --- Children's mass media --- Children's paraphernalia --- Child consumers
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