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This Pivot studies the influence of Julia Kristeva’s work on American literary and film studies. Chapters consider this influence via such innovative approaches as Hortense Spillers’s and Jack Halberstam’s to Paule Marshall’s fiction and Bram Stoker’s Dracula, respectively. The book also considers how critics in the United States receive Kristeva’s work on French feminism, semiotics, and psychoanalytic writing in complex, controversial ways, especially on the question of marginalized populations. Examples include Kelly Oliver and Benigno Trigo on Orson Welles’s The Lady from Shanghai and Touch of Evil as well as Frances Restuccia on David Lynch’s Mulholland Drive. Carol Mastrangelo Bové also examines Kristeva’s take on the US in her essays and fiction, which provide a vital part of the dialogue with American critics. Like them, Bové incorporates Kristeva’s thought in her own creative readings of little-known authors and directors including Christiane Rochefort, Nancy Savoca, and Frank Lentricchia.

Semiotics --- Philosophy --- Psychology --- Linguistics --- American literature --- Literature --- psychologie --- filosofie --- literatuur --- semiotiek --- linguïstiek --- anno 1900-1999 --- anno 2000-2099 --- America

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Semiotics --- Philosophy --- Psychology --- Linguistics --- American literature --- Literature --- psychologie --- filosofie --- literatuur --- semiotiek --- linguïstiek --- anno 1900-1999 --- anno 2000-2099 --- America --- Film criticism. --- Kristeva, Julia,

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'Ten Hours' presents new work by Carol Bove, "sculpture's woman of steel," as coined by Randy Kennedy in The New York Times. Her new sculptures expand on her investigations of materiality and form. Characterized by compositions of various types of steel, Bove's ongoing series of "collage sculptures," begun in 2016, amalgamates theoretical and art-historical influences across time periods and disciplines. To create these lyrical and abstract assemblages, Bove pairs fabricated tubing that has been crushed and shaped at her studio with found metal scraps and a single highly polished disk. Luminous color is applied to parts of the composition, transforming the steel-more commonly associated with inflexibility and heft-into something that appears malleable and lightweight, like clay, fabric, or crinkled paper.

Sculpture --- sculpture [visual works] --- color [perceived attribute] --- steel [alloy] --- Bove, Carol --- Sculpture, Modern --- 73.07 --- Bove, Carol °1971 (°Genève, Zwitserland) --- Beeldhouwkunst ; assemblages ; 1ste helft 21e eeuw --- Modern sculpture --- Beeldhouwkunst ; beeldhouwers A - Z --- Bove, Carol,

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video art --- Film --- Painting --- mixed media --- toys [recreational artifacts] --- Iconography --- Art --- installations [visual works] --- light art --- economics --- painting [image-making] --- digital prints --- terrorism --- Kahrs, Johannes --- Kusolwong, Surasi --- Sæthre, Børre --- Korpys-Löffler --- Pop, Susi --- Rehberger, Tobias --- Frenck, Gerdine --- Lienbacher, Ulrike --- Bove, Carol --- Stollhans, Jürgen --- Korpys, Andree --- Löffler, Markus --- Kusolwong Surasi --- Saethre, Borre --- jaren 70 --- kunst en politiek --- video-stills

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"This book is published by the San Francisco Museum of Modern Art on the occasion of the exhibition Bruce Conner: It's All True, co-curated by Stuart Comer, Rudolf Frieling, Gary Garrels, and Laura Hoptman, with Rachel Federman: The Museum of Modern Art, New York, July 3-October 2, 2016; San Francisco Museum of Modern Art, October 29, 2016-January 22, 2017; Museo Nacional Centro de Arte Reina Sofía, Madrid, February 21-May 22, 2017"--Colophon.

assemblages [sculpture] --- collages [visual works] --- motion pictures [visual works] --- video art --- installations [visual works] --- sculpture [visual work] --- photographs --- drawings [visual works] --- Art --- easel paintings [paintings by form] --- Conner, Bruce --- kunst --- tekenkunst --- schilderkunst --- beeldhouwkunst --- assemblage --- collages --- film --- experimentele film --- Verenigde Staten --- twintigste eeuw --- Conner Bruce --- 7.071 CONNER --- Exhibitions --- ART / Collections, Catalogs, Exhibitions / Group Shows. --- ART / History / Contemporary (1945-). --- ART / Film & Video. --- Conner, Bruce, --- sculpture [visual works] --- Art / collections, catalogs, exhibitions / group shows. --- Art / history / contemporary (1945-). --- Art / film & video. --- paintings [visual works]