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History of Germany and Austria --- anno 1900-1999 --- anno 1800-1899 --- #A9701A --- Germany --- History --- -History --- -#A9701A --- -History of Germany and Austria --- 19th-20th centuries --- 921 --- Duitsland geschiedenis --- geschiedenis Europa --- histoire Europe

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Politics --- anno 1990-1999 --- Germany --- -940.53/.54 --- #KVHA:Politiek; Duitsland --- #KVHA:Geschiedenis; Duitsland --- History --- -Germany --- -Politics --- 940.53/.54

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1 SPENGLER, OSWALD --- Philosophers --- -History --- -Annals --- Auxiliary sciences of history --- Scholars --- Filosofie. Psychologie--SPENGLER, OSWALD --- Biography --- Philosophy --- Spengler, Oswald --- -Filosofie. Psychologie--SPENGLER, OSWALD --- 1 SPENGLER, OSWALD Filosofie. Psychologie--SPENGLER, OSWALD --- Spengler, O. --- Спенглер, Осwалд --- Ssu-pin-ko-le --- Shpengler, Osvalʹd --- Shpengler, O. --- Shibingele --- Şpingler --- Spengler, Osowald --- -Scholars --- Annals --- Спенглер, Осwалд, --- Ssu-pin-ko-le, --- Shpengler, Osvalʹd, --- 史賓格勒 --- Şpingler, --- Spengler, Osowald, --- -Biography

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In this fascinating volume, Nicholas O'Shaughnessy elucidates the phenomenon of the Nazi propaganda machine via the perspective of consumer marketing, conceptualising the Reich as a product campaign. Marketing the Third Reich explores the insidious connection between a mass culture and a political movement, and how the cultures of consumption and politics influence and infect each other ? consumerised politics and politicised consumption. Ultimately its concern is with the ?engineering of consent? ? the troubling matter of how public opinion can be manufactured, and governments elected, via sophisticated methodologies of persuasion developed in the consumer economy. Nazism functioned as a brand, packaging almost everything with persuasive purpose.Bron : routledge.com

Propagande national-socialiste. --- National socialism --- Totalitarianism and art --- Totalitarisme et art --- History. --- Politieke marketing --- Marketing --- Grafische vormgeving --- Propaganda --- Branding --- Massacommunicatie --- Financiewezen --- Oorlogspropaganda

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In dit boek analyseert Frits Boterman het culturele leven in Nederland tijdens het interbellum. De huidige turbulente tijd roept steeds meer vergelijkingen op met de onzekere jaren twintig en dertig, die in Europa werden getekend door de nasleep van de Eerste Wereldoorlog, de economische crisis en de opkomst van het fascisme. Hoewel de vergelijking deels terecht is, had het interbellum een heel eigen dynamiek en karakter. Boterman laat zien dat de 'oercatastrofe' van de Eerste Wereldoorlog ook in Nederland voor een crisis der zekerheden heeft gezorgd. Tevens laat hij zien hoe schrijvers, kunstenaars en intellectuelen naar een antwoord zochten op die crisis.

History of the Netherlands --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939