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791.43 --- geschiedkundige beschrijvingen --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- film [performing arts] --- filmkunde --- red. Peter Bosma --- filmcultuur --- Arnheim Rudolf --- Kracauer Siegfried --- Bazin André --- film en psychologie --- pragmatisme --- film en pragmatisme --- semiotisch pragmatisme --- 791 --- filmkunst --- Filmgeschiedenis --- Filmkritiek --- Filmtheorie --- #SBIB:309H1300 --- #BAVD --- film --- filmtheorie --- narratologie --- filmmuziek --- geluid --- filmgeschiedenis --- filmkritiek --- Hollywood --- retoriek --- structuralisme --- semiotiek --- film en semiotiek --- psychologie --- 791.41 --- Filmwezen: algemene werken --- Film --- Motion pictures --- 780 --- dans, toneel, film --- danse, théâtre, cinéma --- film [discipline]

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Art

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This book explores artistic choices in cinema exhibition, focusing on film theatres, film festivals and film archives and situating film-curating issues within an international context. It describes how artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. It argues that the film trade's conventional structures are transforming and that, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers; in other words, everybody can be a film curator, in a passive or active way. The book addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the ways that are available to present them.