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La 4e de couv. indique : "Il ne s'agit pas dans cette étude philosophique de penser quelle pourrait être une politique humaine envers les animaux, mais de penser le politique à partir de l'animal. Cette tache implique de suspendre les connotations péjoratives qui imprègnent la pensée moderne concernant le caractère "primitif" de l'état de nature. Ce que les bêtes nous apprennent de la politique propose de revenir sur le concept de nature en développant les notions de jeu et de sympathie par lesquelles le corps animal exprime une capacité à s'abstraire de ses limites formelles et fonctionnelles. Pour Massumi, les humains et les animaux existent dans un continuum. Comprendre ce continuum tout en rendant compte des différences requiert une nouvelle logique de "l'inclusion mutuelle". Ce faisant, ce livre questionne non seulement le thème du comportement animal, mais également celui de la pensée animale au regard des aptitudes qui définissent, dans la plupart des doctrines, le propre de l'humain : le langage et la conscience réflexive."

Social behavior in animals --- Political science --- Human-animal relationships --- Play --- Sociologie politique. --- Relations homme-animal.

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Nocturnal Fabulations is an essay in intercessing. This is not a book that is simply ‘about’ Apichatpong Weerasethakul, though it does engage his work in detail. It is a book that deeply questions what else might be at stake in setting up the conditions for collaboration across two genres: cinema and writing. This collective project is animated by a shared curiosity in the pragmatics of fabulation and its speculative gesture of bringing forth a people to come. In an encounter with Apichatpong’s cinematic dreamscape, the concepts of ecology, vitality and opacity emerge to articulate an ethos of fabulation that deframes experience, recomposes subjectivity and unfixes time.

Motion pictures. --- Motion pictures --- Subjectivity. --- Subjectivity in motion pictures. --- Cinematography. --- Philosophy. --- Apichatpong Weerasethakul, --- Photography --- Chronophotography --- Point of view in motion pictures --- Subjective camera --- Subjectivism --- Knowledge, Theory of --- Relativity --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Animated pictures --- History and criticism --- Weerasethakul, Apichatpong, --- ʻAphichātphong Wīrasētthakun, --- Wīrasētthakun, ʻAphichātphong, --- Veerasethakul, Apichatpong, --- experience --- subjectivity --- cinema --- ecology --- pragmatics of fabulation --- time --- writing --- opacity --- vitality --- apichatpong weerasethakul --- Aesthetics --- Alterity --- Decoupage --- Félix Guattari --- Gilles Deleuze --- Mysterious Object at Noon --- Ontology --- Thailand

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