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Fiction --- 82-3 --- Proza. Fictie. Narratologie --- 82-3 Proza. Fictie. Narratologie --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative

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General ethics --- Literature --- Ethique litteraire --- Literaire ethiek --- Literary ethics --- Criticism --- Literary ethics. --- Critique --- Morale littéraire --- Moral and ethical aspects. --- Aspect moral --- Fiction --- Moral and ethical aspects --- History and criticism --- 82:17 --- 82.09 --- -Literary ethics --- Ethics, Literary --- Literary forgeries and mystifications --- Appraisal of books --- Books --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- Style, Literary --- Literatuur en ethiek --- Literaire kritiek --- Appraisal --- Technique --- Evaluation --- 82.09 Literaire kritiek --- 82:17 Literatuur en ethiek --- Morale littéraire --- Criticism - Moral and ethical aspects --- Fiction - History and criticism --- Littérature et morale --- Littérature et morale

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"Not many books can be called indispensable. This one can. . . . Many people, reading this sane and cogent book, are going to feel as if doors and windows had been opened."--Wallace Stegner, 'American Scholar'

Fiction --- Technique --- #KVHA:Retoriek --- #KVHA:Fictie --- #KVHA:Literaire theorie --- Technique. --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Fiction - Technique

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In his autobiography, My Many Selves, Wayne C. Booth is less concerned with his professional achievements---though the book by no means ignores his distinguished career---than with the personal vision that emerges from a long life lived thoughtfully. For Booth, even the autobiographical process becomes part of a quest to harmonize the diverse, often conflicting aspects of who he was. To see himself clearly and whole, he broke the self down, personified the fragments, uncovered their roots in his experience and background, and engaged those selves and experiences in dialogue. Basic to

Booth, Wayne C. --- Critics - United States. --- Critics