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This book offers a comparative study of historical television genres in Europe, with a special focus on Germany and Great Britain and their way of narrating twentieth century European history. The book analyses our common European past and memory through central historical television narratives. Each chapter looks at how historical TV genres, fictional and documentary, have dealt with the most salient and defining periods, events and changes in the twentieth century— an age of extremes. Bondebjerg offers unique theoretical and analytical insight into the role of television in mediating and shaping the past. The book explores television’s creation of transnational cultural encounters across Europe in relation to our common and national past. The book addresses how television has influenced our understanding of history, collective memory and public debate over the twentieth century. It is fundamentally a book about the importance of the past in present day Europe and the centrality of media for transnational understanding.

Motion pictures—European influences. --- Motion pictures. --- European Cinema and TV. --- Close Reading. --- Audio-Visual Culture. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Collective memory --- Historical television programs --- History television programs --- Television historical programs --- Television programs --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History

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Historical television programs --- Collective memory --- History. --- Europe --- History

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This book offers a comparative study of historical television genres in Europe, with a special focus on Germany and Great Britain and their way of narrating twentieth century European history. The book analyses our common European past and memory through central historical television narratives. Each chapter looks at how historical TV genres, fictional and documentary, have dealt with the most salient and defining periods, events and changes in the twentieth century— an age of extremes. Bondebjerg offers unique theoretical and analytical insight into the role of television in mediating and shaping the past. The book explores television’s creation of transnational cultural encounters across Europe in relation to our common and national past. The book addresses how television has influenced our understanding of history, collective memory and public debate over the twentieth century. It is fundamentally a book about the importance of the past in present day Europe and the centrality of media for transnational understanding.

Film --- film --- Europe

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In response to the resurgence of Danish film, this book presents a collection of indepth interviews with 19 of Denmark's finest filmmakers. Profiling the canonized figures alongside recentlyestablished filmmakers, this collection features interviews with Lars von Trier, Søren KraghJacobsen, Thomas Vinterberg and Henning Carlsen among many others. It poses questions that engage with ongoing and controversial issues within film studies, which will stimulate debate in academic and filmgoing circles alike. Each interview is preceded by a photograph of the director, biographical information, and a

Motion picture producers and directors --- Motion pictures --- Cinéma --- Producteurs et réalisateurs de cinéma --- Interviews. --- Entretiens

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In response to the resurgence of Danish film, this book presents a collection of indepth interviews with 19 of Denmark's finest filmmakers. Profiling the canonized figures alongside recentlyestablished filmmakers, this collection features interviews with Lars von Trier, Søren KraghJacobsen, Thomas Vinterberg and Henning Carlsen among many others. It poses questions that engage with ongoing and controversial issues within film studies, which will stimulate debate in academic and filmgoing circles alike. Each interview is preceded by a photograph of the director, biographical information, and a

Motion picture producers and directors --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- History and criticism