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Comparative literature --- Thematology --- anno 500-1499 --- Literature, Medieval --- Sublime, The --- Sublime, The, in literature. --- Tragic, The, in literature. --- History and criticism. --- History --- -Sublime, The, in literature --- Tragic, The, in literature --- European literature --- Medieval literature --- History and criticism --- Sublime, The, in literature --- Aesthetics --- Literature, Medieval - History and criticism. --- Sublime, The - History - To 1500.
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English poetry --- Italian influences --- Boccaccio, Giovanni, --- Chaucer, Geoffrey, --- Influence --- Knowledge --- Literature --- -English literature --- Boccaccio, Giovanni --- -Chaucer, Geoffrey --- -Influence --- -Literature --- -Italian influences --- -Boccaccio, Giovanni --- Boccaccio, Jean --- Boccace --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- Influence. --- Literature. --- Bocace, Jean, --- Bocacio, Juan, --- Boccace, --- Boccace, Jean, --- Boccacius, Ioannes, --- Boccacius, Joannes, --- Boccatius, Ioannes, --- Boccatius, Joannes, --- Bochas, John, --- Bokachʻchʻo, Jiovanni, --- Bokachʻio, Jiovanni, --- Bokkachchʹo, Dzhʹovanni, --- Bokkachio, Dzhiovanni, --- Vocacio, Juan, --- Боккаччо, Дж, --- באקאשטיא, --- באקאטשא, דזשעאוואני, --- באקאטשיא --- באקאטשיא, --- בוקאצ׳ו, ג׳ובאני --- Bocace, Jean --- Bocacio, Juan --- Boccace, Jean --- Boccacius, Ioannes --- Boccacius, Joannes --- Boccatius, Ioannes --- Boccatius, Joannes --- Bochas, John --- Bokachʻchʻo, Jiovanni --- Bokachʻio, Jiovanni --- Bokkachchʹo, Dzhʹovanni --- Bokkachio, Dzhiovanni --- Vocacio, Juan --- Боккаччо, Дж --- English poetry - Italian influences --- Boccaccio, Giovanni, - 1313-1375 - Teseida --- Boccaccio, Giovanni, - 1313-1375 - Influence --- Chaucer, Geoffrey, - -1400 - Knowledge - Literature --- Boccaccio, Giovanni, - 1313-1375 --- Chaucer, Geoffrey, - -1400
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Literature, Comparative. --- Literature --- History and criticism. --- Comparative literature --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Literature, Comparative --- Philology --- History and criticism --- Appraisal --- Evaluation --- Literature - History and criticism.
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Recognition in literature. --- Comparative literature. --- Letteratura --- Littérature italienne --- Temi [:] Riconoscimento --- Littérature italienne.
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Piero Boitani discusses how some of the most fascinating scenes of Old and New Testament are directly or indirectly rewritten in works ranging from the medieval period to the late 20th century.
Jewish religious literature --- Christian literature --- Christianity and literature. --- Religion and literature. --- Christianity and literature --- Religion and literature --- Languages & Literatures --- Literature - General --- Literature --- Literature and religion --- Literature and Christianity --- History and criticism. --- History and criticism --- Moral and religious aspects --- Bible --- In literature. --- Bible.
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Flight has always fascinated human minds, but until a century ago it remained a dream& the exclusive domain of birds, gods, and mythological heroes. From the myths of the ancients to the poetry of Pindar and Yeats, 'Winged Words' traces the imprint of the human impulse to fly from premodern times to the age of terrorism in both literature and history. Piero Boitani begins his analysis with an account of the way the myths of Pegasus and Icarus have persisted from classical to twentieth-century politics and literature. He then takes up the figure of Hermes; the roles of halcyons and eagles in classical, biblical, and later literatures; and literary response to Pieter Brueghel's 'The Fall of Icarus'. Honing in on modern figures and concerns, Boitani also offers a fascinating discussion of author-pilot Antoine de Saint-Exupe;ry and concludes with a meditation on the flight of the hijacked airliners on 9/11. Throughout, 'Winged Word' brings a remarkable range of men of action, politicians, theologians, writers, and artists into dialogue with each other: Shakespeare with T. S. Eliot, Horace with Ovid, Leonardo with Milton, Leopardi with Mallarme;, Saint-Exupe;ry with Faulkner and Rilke, and the Ulysses of Homer with the Ulysses of Dante. Ultimately, by showing how writers and fliers have looked to the ancients for inspiration, Boitani testifies to the modern relevance of poetry and the classics.' '
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Comparative literature --- Literature --- Themes, motives. --- History and criticism.
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