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Carlo and Federico Borromeo achieved fame by turning Milan into the foremost laboratory of the Italian Counter-Reformation. This monograph interprets their programme of penitential discipline as a quest to reshape Lombard society by reaching into the souls of its inhabitants.
27 <45 MILANO> --- 940.23 --- -Counter-Reformation --- Auricular confession --- 940.23 Geschiedenis van Europa: Contra-reformatie--(1555-1618) --- Geschiedenis van Europa: Contra-reformatie--(1555-1618) --- Kerkgeschiedenis--Italië--MILANO --- Catholic Church. Archdiocese of Milan (Italy) --- Milan Region (Italy) --- -Milan Region (Italy) --- -Confession --- -Anti-Reformation --- Confession --- Counter-Reformation --- 098.1 --- 098.1 Verboden boeken --- Verboden boeken --- Anti-Reformation --- Church history --- Church renewal --- Reformation --- Church discipline --- Forgiveness of sin --- Absolution --- Penance --- Catholic Church&delete& --- History of doctrines --- Catholic Church. --- Milan (Archdiocese) --- Milan (Italy : Archdiocese : Catholic Church) --- History --- Catholic Church --- History of doctrines. --- 16th century --- 17th century --- Italy --- Catholic Church. - Archdiocese of Milan (Italy) - History - 16th century. --- Catholic Church. - Archdiocese of Milan (Italy) - History - 17th century. --- Confession - Catholic Church - History of doctrines. --- Counter-Reformation - Italy - Milan Region. --- Milan Region (Italy) - Church history - 16th century. --- Milan Region (Italy) - Church history - 17th century. --- Christian dogmatics --- Christian church history --- anno 1500-1599 --- anno 1600-1699 --- Milan
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"The Catholic Church answered Reformation-era contestations of the cult of images in a famous decree of the Council of Trent (1563). Art in Dispute revisits this response by focusing on its antecedents rather than its consequences. The mid-sixteenth century saw, besides new scholarship on Byzantine doctrines, heated debates about neo-scholastic interpretations. Disagreement, suppressed at Trent but re-emerging soon afterwards, centered on the question whether religious images were solely signs referring to holy subjects or also sacred objects in their own right. It was a debate with major implications for art theory and devotional practice. The volume contains editions and translations of texts by Martín Pérez de Ayala, Matthieu Ory, Jean Calvin, Ambrogio Catarino Politi, and Iacopo Nacchianti, along with a previously unknown draft of the Tridentine decree"
E-books --- Military art and science --- Christian saints --- Christianity and art --- Idols and images --- Cult --- History of doctrines --- Catholic Church --- History --- Council of Trent --- Art and Christianity --- Art --- Saints --- Canonization --- Iconography --- Images and idols --- Religious images --- Statuettes --- Animism --- Art, Primitive --- Art and religion --- Fetishism --- Magic --- Religion --- Sculpture, Primitive --- Symbolism --- Gods in art --- Fighting --- Military power --- Military science --- Warfare --- Warfare, Primitive --- Naval art and science --- War --- Concilio di Trento --- Concilium Tridentinum --- Konzil von Trient --- Trent, Council of, --- Tridentskiĭ sobor --- Christian church history --- religious art --- Counter-Reformation --- anno 1500-1599 --- Europe --- Iconography, Religious --- Religious iconography --- Religious statuettes --- Statuettes, Religious --- Religious art --- Christianity. --- Christianity --- Religions --- Church history --- kunst en godsdienst
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Sensation is the subject of a burgeoning field in the humanities. This volume examines its role in the religious changes and transformations of early modern Europe. Sensation was not only central to the doctrinal disputes of the Reformation, but also critical in shaping new or reformed devotional practices. From this vantage point the book explores the intersections between the world of religion and the spheres of art, music, and literature; food and smell; sacred things and spaces; ritual and community; science and medicine. Deployed in varying, often contested ways, the senses were essential pathways to the sacred. They permitted knowledge of the divine and the universe, triggered affective responses, shaped holy environments, and served to heal, guide, or discipline body and soul. Contributors include Alfred Acres, Barbara Baert, Andrew R. Casper, Wietse de Boer, Sven Dupré, Iain Fenlon, Laura Giannetti, Christine Göttler, Jennifer R. Hammerschmidt, Joseph Imorde, Rachel King, Jennifer Rae McDermott, Walter S. Melion, Matthew Milner, Sarah Joan Moran, Yvonne Petry, and Klaus Pietschmann.
Christian church history --- emotion --- Art --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Senses and sensation --- Senses and sensation in art --- Sens et sensations --- Sens et sensations dans l'art --- Religious aspects --- Christianity --- History. --- Aspect religieux --- Christianisme --- Histoire --- History --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Religious aspects&delete& --- Christianity&delete& --- Senses and sensation - Religious aspects - Christianity - History --- Senses and sensation in art - History --- Senses and sensation - Europe - History --- religious experience
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The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Díaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stähler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer
English literature --- Thematology --- anno 1600-1699 --- anno 1500-1599 --- Senses and sensation in literature. --- Sens et sensations dans la littérature --- Littérature anglaise --- History and criticism. --- Histoire et critique --- Sens et sensations dans la littérature --- Littérature anglaise
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The Jesuit investment in images, whether verbal or visual, virtual or actual, pictorial or poetic, rhetorical or exegetical, was strong and sustained, and may even be identified as one of the order's defining characteristics. Although this interest in images has been richly documented by art historians, theatre historians, and scholars of the emblem, the question of Jesuit image theory has yet to be approached from a multi-disciplinary perspective that examines how the image was defined, conceived, produced, and interpreted within the various fields of learning cultivated by the Society: sacred oratory, pastoral instruction, scriptural exegesis, theology, collegiate pedagogy, poetry and poetics, etc. The papers published in this volume investigate the ways in which Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773. Part I examines texts that purport explicitly to theorize about the imago and to analyze its various forms and functions. Part II examines what one might call expressions of embedded image theory, that is, various instances where Jesuit authors and artists use images implicitly to explore the status and functions of such images as indices of image-making.
Jesuit [Christian order] --- Iconography --- History of civilization --- images [object genre] --- anno 1600-1699 --- anno 1500-1599 --- 271.5-8 --- #GBIB: jesuitica --- Jezuïeten: speciale gebruiken: specifiek apostolaat; opvoedingssysteem --- Society of Jesus --- 271.5-8 Jezuïeten: speciale gebruiken: specifiek apostolaat; opvoedingssysteem --- Image (Philosophy) --- Jesuits --- History --- Philosophy --- Compagnie de Jésus --- Compañia de Jesus --- Gesellschaft Jesu --- Jesuitas --- Jesuiten --- Jesuiti --- Jezuïten --- Jésuites --- Paters Jezuïten --- Societeit van Jezus --- イエズス会 --- カトリック イエズス会 --- History. --- Christelijke kunst --- Art
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The three volumes present the current state of international research on Martin Luther?s life and work and the Reformation's manifold influences on history, churches, politics, culture, philosophy, arts and society up to the 21st century. The work is initiated by the Fondazione per le scienze religiose Giovanni XXIII (Bologna) in cooperation with the European network Refo500
(Produktform)Hardback --- (Zielgruppe)Allgemein --- (BISAC Subject Heading)REL067080 --- Martin Luther --- Reformation --- influences of Reformation --- (BISAC Subject Heading)REL082000: REL082000 RELIGION / Christianity / Lutheran --- Luther, Martin --- Rezeptionsgeschichte --- (Produktrabattgruppe)PR: rabattbeschränkt/Bibliothekswerke --- (VLB-WN)1542: Hardcover, Softcover / Religion, Theologie/Christentum --- Biography --- Luther, Martin, --- 2 LUTHER, MARTIN --- 2 LUTHER, MARTIN Godsdienst. Theologie--LUTHER, MARTIN --- Godsdienst. Theologie--LUTHER, MARTIN --- Oecumene --- Reformatie --- Luther
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