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Joachim Brohm undertook a photo-urban project of long term observation. For roughly a decade, from 1992 to 2002 - he took photographs of the same location - on the outskirts of a German city - as it was being redeveloped from a 1950s commercial / industrial district into a gentifried post industrial services centre and living area. In a meditative return, Brohm cartographically captured the premises, their buildings and materials, and chronologically documented the changes and developments during this period. Brohm's pictorial idiom - characterised by a dissolved centre, layering and compositions referring to the continuations of space beyond the picture's limts - is both documentary and deconstructive. His photographs simultaneously depict and dissolve the outside world, lending the transitory, hovering state of reality and meaning a powerful pictorial form.
Brohm, Joachim --- fotografie --- documentaire fotografie --- eenentwintigste eeuw --- Duitsland --- Brohm Joachim --- 77.071 BROHM --- Exhibitions
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The Bauhaus lab forms a three-month research community comprising eight international participants -- young professional working in the fields of design and architecture as designers, curators or researchers. Bauhaus Lab 2016 follows the travel routes of Walter Gropius' desk. Designed as part of a cohesive ensemble for the first Bauhaus exhibition in 1923, then in use in the director's room in the Bauhaus building in Dessau before being temporarily located in the Lawn Road Flats in London. Today the original is found in Lincoln, Massachusetts (USA). The Bauhaus Lab explores these transatlantic movements and in doing so makes the iconic desk itself a player in a constantly changing set of locations and social environments. The Lab will yield artistic and curatorial ideas about the communication of object-based histories of exile.
Applied arts. Arts and crafts --- Bauhaus --- Gropius, Walter --- Mobilier d'architecte --- Design
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"When Dessau was bombed in early 1945, the Director's House and Moholy-Nagy's Master House were reduced to rubble as well. After the Dessau Masters' Houses - epitome of the 20th-century artists' colony - had been restored to their original state in the 1990s, a debate began on the reconstruction of the two houses destroyed in the war. In 2010, after consultation with the British star architect David Chipperfield, the decision was made to recreate the Master Houses of Gropius and Moholy-Nagy using contemporary means, rather than rebuilding them 1:1. And so they have now been reconstructed on the basis of designs by the Berlin firm Bruno-Fioretti-Marquez, as innovative reductions and abstractions of the original houses. This volume describes the chequered history of the Dessau Masters' Houses, presenting the reconstructed buildings for the first time in book form, with photographs by Armin Linke and Heidi Specker."--Provided by publisher
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“How are we to live in a way that is healthy and economical?” One answer to this question was provided by Ernst Jahn's film of the same name Wie wohnen wir gesund und wirtschaftlich? (1926-28), which showed the kitchen in the Gropius House complete with all the latest domestic appliances it was equipped with. The Dessau Masters' Houses were not only showcases of “new living” (Neues Wohnen) but also places where modern methods of housekeeping could be demonstrated. The topical relevance of this question was discussed at the 2015 Haushaltsmesse, an international trade fair on the art of housekeeping and budgeting. The publication Housekeeping in the Modern Age, which takes a documentary approach to this subject, now brings together these different viewpoints eyeing the question through the prism of the problems we face today. In the face of climate change and dwindling resources, the externalized costs of running a modern household are back on the (kitchen) table. The book is a compilation of essays by internationally renowned anthropologists, economists, artists, architects, historians, and cultural studies experts and also contains a wealth of historical documents and photographs.
Housekeeping --- Travail domestique --- History --- Histoire --- Bauhaus --- Germany --- Allemagne --- Social life and customs --- Mœurs et coutumes
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Die Publikation „Transiträume“ beschäftigt sich mit postsozialistischer Urbanisierung. Am Beispiel ausgewählter Stationen entlang eines Korridors Berlin – Moskau bietet der Band überraschende Einsichten in die Neuformierung der Räume entlang der deutsch-polnischen Grenze, verfolgt veränderte Handelswege oder fragt nach der Neujustierung von Nachbarschaft und dem sozialen Sinn russischer Plattenbausiedlungen. The Bauhaus Kolleg on “Transit Spaces” examined selected places along the corridor between Berlin and Moscow, treating them as case studies of the urban transformation processes that have taken place since the lifting of the Iron Curtain. Corridors are models of selective integration into the New Europe. Decisions on who is connected with whom in the European area are at the same time decisions on how people will live, work and travel in the future. This volume is a compilation of essays, reflections and cartographic studies that analyse the making of cities in the post-socialist era under the influence of global capitalism.
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