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Carpentier, Alejo --- Spanish American literature --- Surrealism (Literature) --- History and criticism --- Carpentier, Alejo, --- Criticism and interpretation --- Knowledge --- Surrealism --- History and criticism. --- Criticism and interpretation. --- Surrealism. --- Spanish American literature - 20th century - History and criticism --- Surrealism (Literature) - Latin America --- Carpentier, Alejo, - 1904-1980 - Criticism and interpretation --- Carpentier, Alejo, - 1904-1980 - Knowledge - Surrealism --- Carpentier, Alejo, - 1904-1980
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Reviewing their essays, scientific publications, dictionaries, novels, poetry, and visual arts, the author traces the cultural study of Latin America back to these interdisciplinary discussions about the meaning of race and culture in Latin America, discussions that continue to provoke us today.
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Montezuma --- Spengler, Oswald --- Спенглер, Осwалд --- Ssu-pin-ko-le --- Shpengler, Osvalʹd --- Shpengler, O. --- Shibingele --- Şpingler --- Spengler, Osowald --- Moctezuma, --- Motecuhzoma --- Motezuma --- Moctezuma --- Latin America --- Mexico --- History. --- Спенглер, Осwалд, --- Ssu-pin-ko-le, --- Shpengler, Osvalʹd, --- 史賓格勒 --- Şpingler, --- Spengler, Osowald,
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City planning --- Post-communism --- Havana (Cuba) --- Civilization. --- Intellectual life.
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Con la publicación de La decadencia de Occidente (1918/1922), el filósofo e historiador alemán Oswald Spengler (1880-1936) logró gran notoriedad en la década de 1920, al predecir la caída de las civilizaciones occidentales y desarrollar un esquema de procesos históricos recurrentes, una suerte de morfología comparativa de las culturas. Se proponía el análisis de ocho grandes culturas -junto a la Antigüedad y a Occidente, India, Babilonia, China, Egipto, Arabia y el México prehispánico-, pero omitió el tratamiento de este último casi completamente. Su ópera prima Moctezuma. Un drama (1897), publicada en alemán en 2011 y hasta ahora inédita en español, arroja una nueva luz sobre el interés de Spengler por el antiguo México, la tierra que, según argumenta Anke Birkenmaier en su estudio introductorio, paradójicamente, fue la excepción y el primer sillar de su morfología de la cultura.
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The Caribbean has long been a key area for empires warring over influence spheres, and where migration waves from Africa, Europe, and Asia accompanied every political transformation. In this volume, an interdisciplinary group of scholars studies the Caribbean’s “unincorporated subjects,” and explores how against all odds, Caribbean artists, filmmakers, and writers have been resourceful at showcasing migration as the hallmark of our modern age.
Postcolonialism --- West Indians --- Migration.
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