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James, un écrivain quinquagénaire anglo-saxon, donne en Italie, à l'occasion de la sortie de son dernier livre, une conférence ayant pour thème les relations étroites entre l'original et la copie dans l'art. Il rencontre une jeune femme d'origine française, galeriste. Ils partent ensemble pour quelques heures à San Gimignano, petit village près de Florence. Comment distinguer l'original de la copie, la réalité de la fiction ?
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Doodstraf --- Historishe film --- 19e eeuw --- Speelfilms
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Triangles (Interpersonal relations) --- Rejection (Psychology) --- Rural families --- Foundlings --- Triangles (Interpersonal relations) --- Foundlings --- Rural families --- Rejection (Psychology) --- Brontë, Emily Jane, 1818-1848 --- Brontë, Emily, - 1818-1848 --- Yorkshire (England) --- Yorkshire (England)
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Georges, presentator van een literair tv-programma, ontvangt pakketjes met verontrustende tekeningen en videobanden. Ongemerkt zijn er beelden van zijn huis en familie opgenomen. De politie kan weinig doen omdat er geen onmiddellijk gevaar dreigt. Geleidelijk aan worden de banden steeds persoonlijker en gaat Georges zelf op zoek. Hij moet gaan graven in zijn verleden om er achter te komen wie hem bedreigt.
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"Two luminaries of French cinema, Claire Denis and Juliette Binoche, unite for the first time in this piercing look at the elusive nature of true love, and the extent to which we are willing to betray ourselves in its pursuit. Binoche plays Isabelle, a successful painter in Paris whose apparent independence belies what she desires most: real romantic fulfillment. Isabelle reveals deep wells of yearning, vulnerability, and resilience as she tumbles into relationships with all the wrong men. Shot in burnished tones by Denis's longtime collaborator Agnès Godard and featuring a mischievous appearance by Gérard Depardieu, Let the Sunshine In Ifinds bleak humor in a cutting truth: we are all, no matter our age, fools for love"--Container.
Women artists --- Divorced women --- Middle-aged women --- Man-woman relationships
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