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Digital media technologies re-pose the question of organization - and thus of power and domination, control and surveillance, disruption and emancipation. This book interrogates organization as effect and condition of media. How can we understand the recursive relationship between media and organization? How can we think, explore, critique - and perhaps alter - the organizational bodies and scripts that shape contemporary life?.

Mass media --- Social aspects.

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Kreativität. --- Kultursoziologie. --- Ästhetik.

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Wherever we turn, we find creative practices and creative spaces, creative organizations and creative subjects. At work or in public places, in media representations and in advertisements, on social platforms, in schools and universities: There is a demand to be new and special, conspicuous and singular. How did this creativity complex and its imperative to be creative come about? Which terms and concepts enable us to understand its multiple and partly contradictory forms and processes? Where are its limits? Gathering and interweaving 40 short and incisive essays, this companion maps, investigates and illuminates the contemporary creativity complex.

Civilization, Modern --- Culture. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Twenty-first century --- Social aspects --- Media (Ancient kingdom) --- Media --- Creativity; Sociology; Media; Culture; Capitalism; Society; Social Relations; Sociology of Culture; Cultural Theory; Cultural Studies --- Capitalism. --- Cultural Studies. --- Cultural Theory. --- Media. --- Social Relations. --- Society. --- Sociology of Culture. --- Sociology.

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How is performativity shaped by digital technologies - and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique.With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens Schröter.

Computer networks --- Digital communications --- Digital electronics --- Digital media --- Information technology --- Performance technology --- Electronic media --- New media (Digital media) --- Mass media --- Online journalism --- Social aspects --- Body. --- Cultural Theory. --- Culture. --- Digital Media. --- Media Studies. --- Media Theory. --- Media. --- Performing Arts. --- Technology. --- SOCIAL SCIENCE / Media Studies. --- Enhancement technology, Human performance --- HPT (Human performance technology) --- Human performance enhancement technology --- Human performance technology --- Human engineering --- Performance --- Media and Communications --- Performance Studies --- Culture --- Digital Media --- Performing Arts --- Media Theory --- Media --- Body --- Technology --- Cultural Theory --- Media Studies --- Performativity