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This book includes work by 64 women from 10 countries. Contributors respond to the question : What is conceptual writing? 'I'll Drown My Book' offers feminist perspectives within this literary phenomenon.
Literature, Experimental --- Literature --- Literature, Modern --- Experimental poetry. --- Experimentell poesi. --- Konceptkonst. --- Women authors. --- Experimental poetry --- Women authors --- Literature, Experimental - Women authors --- Literature - Women authors --- Literature, Modern - 21st century --- Literature, Modern - 20th century
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Caroline Bergvall's celebrated trilogy of interdisciplinary medievalist texts and projects - Meddle English (2011), Drift (2014), and Alisoun Sings (2019) - documents methods of reading and making that are poetically and politically alert, critically and culturally aware, linguistically attuned, and historically engaged.
Drawing on the wide-ranging body of criticism dedicated to Bergvall's work and material from Bergvall's archive, together with newly commissioned texts by scholars, theorists, linguists, translators, and poets, this book situates the trilogy in relation to key themes including mixed temporalities; interdisciplinarity and performance; art and activism; and the geopolitical, psychosexual, and social complexities of subjectivity. It follows routes laid down by the trilogy to move between the medieval past and our contemporary moment to uncover new forms of encounter and exchange.
Poetics. --- Art and literature. --- English poetry --- History and criticism. --- Bergvall, Caroline. --- Alisoun. --- Chaucer. --- Old English. --- Old Norse. --- facilitations. --- performance. --- sound art. --- Bergvall, Caroline --- Criticism and interpretation. --- 1100-1500
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Caroline Bergvall's celebrated trilogy of interdisciplinary medievalist texts and projects - Meddle English (2011), Drift (2014), and Alisoun Sings (2019) - documents methods of reading and making that are poetically and politically alert, critically and culturally aware, linguistically attuned, and historically engaged.
Drawing on the wide-ranging body of criticism dedicated to Bergvall's work and material from Bergvall's archive, together with newly commissioned texts by scholars, theorists, linguists, translators, and poets, this book situates the trilogy in relation to key themes including mixed temporalities; interdisciplinarity and performance; art and activism; and the geopolitical, psychosexual, and social complexities of subjectivity. It follows routes laid down by the trilogy to move between the medieval past and our contemporary moment to uncover new forms of encounter and exchange.
Art --- English literature --- Literature --- Bergvall, Caroline --- Poetics. --- English poetry --- Art and literature. --- History and criticism. --- Bergvall, Caroline. --- Criticism and interpretation. --- 1100-1500
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This artist's book designed by Jack Fisher focuses on encounters and spaces between languages through the work of Imogen Stidworthy with contributions from writers Caroline Bergvall, Steven Connor, Mladen Dolar and Alphonso Lingis, and artists Werner Feiersinger, Aglaia Konrad and Willem Oorebeek. Taking Stidworthy's artistic practice as a starting point, it traces paths between the images and texts to address related questions. Central to these social and cultural borders which manifest in it. How are we located in the voice and language, and how does this shape our relation to ourselves, our bodies and the spaces we inhabit? Stidworthy's voice runs through the book in the form of video stills, photographs, transcripts and research material which are configured into new images and relationships. Exhibition: Matt's Gallery, London.
texts [document genres] --- installations [visual works] --- language [general communication] --- video art --- Art --- Stidworthy, Imogen --- texts [documents] --- Language and languages in art --- Words in art --- kunst --- concept art --- Groot-Brittannië --- installaties --- conceptuele kunst --- 7.071 STIDWORTHY --- Stidworthy Imogen --- woord en beeld --- Exhibitions
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