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Book
Year: 1988 Publisher: San Francisco Asian Art Museum
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Applied arts. Arts and crafts --- embroidery [visual works] --- China --- Japan
Book
ISBN: 0500237050 Year: 1995 Publisher: Londen Thames and Hudson
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ISBN: 9780824862367 Year: 2003 Publisher: Honolulu
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ISBN: 9780824862367 9780824825638 Year: 2003 Publisher: Honolulu, Hawaii University of Hawaii Press
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ISBN: 0824825632 Year: 2003 Publisher: Honolulu : University of Hawaii Press,
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S17/0230 --- S17/0510 --- S17/0550 --- China: Art and archaeology--Dunhuang: general --- China: Art and archaeology--Buddhist art: paintings --- China: Art and archaeology--Silk route --- Buddhist art --- Buddhist art and symbolism --- Art bouddhique --- Art et symbolisme bouddhistes --- Art and state --- Art, Chinese --- Buddhism --- Buddhist symbolism --- Lamaist symbolism --- Symbolism and Buddhist art --- Symbolism --- Buddha and Buddhism --- Lamaism --- Ris-med (Lamaism) --- Religions --- Art --- Arts --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- History --- Influence --- Government policy --- S06/0436 --- S17/0410 --- S17/0500 --- S17/0520 --- China: Politics and government--Policy towards literature and art --- China: Art and archaeology--Symbolism in Chinese art, iconography --- China: Art and archaeology--Buddhist art: general --- China: Art and archaeology--Buddhist art: sculpture --- History. --- Influence. --- Bouddhisme --- Politique gouvernementale --- Histoire
ISBN: 0824862368 0585464103 0824825632 Year: 2003 Publisher: University of Hawai'i Press
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Imperial Manchu support and patronage of Buddhism, particularly in Mongolia and Tibet, has often been dismissed as cynical political manipulation. Empire of Emptiness questions this generalization by taking a fresh look at the huge outpouring of Buddhist painting, sculpture, and decorative arts Qing court artists produced for distribution throughout the empire. It examines some of the Buddhist underpinnings of the Qing view of rulership and shows just how central images were in the carefully reasoned rhetoric the court directed toward its Buddhist allies in inner Asia. The multilingual, culturally fluid Qing emperors put an extraordinary range of visual styles into practice--Chinese, Tibetan, Nepalese, and even the European Baroque brought to the court by Jesuit artists. Their pictorial, sculptural, and architectural projects escape easy analysis and raise questions about the difference between verbal and pictorial description, the ways in which overt and covert meaning could be embedded in images through juxtaposition and collage, and the collection and criticism of paintings and calligraphy that were intended as supports for practice and not initially as works of art.
Buddhism --- Art and state --- Art, Chinese --- Buddhist art and symbolism --- Buddhist art --- Influence. --- History.
Book
Year: 1995 Publisher: Ann Arbor University microfilms international
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Year: 1995 Publisher: San Francisco Asian Art Museum San Francisco
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