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How we find and make meaning through music and performance

Music --- Phenomenology and music. --- Music and society --- Music and phenomenology --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Social aspects. --- Philosophy and aesthetics. --- Philosophy --- Science fiction --- Communism and literature. --- Socialism and literature. --- Science fiction films --- Communism and motion pictures. --- Socialism and motion pictures --- Science-fiction --- Communisme et littérature --- Socialisme et littérature --- Films de science-fiction --- Communisme et cinéma --- Socialisme et cinéma --- History and criticism. --- Histoire et critique

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A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword

Heavy metal (Music) --- History and criticism.

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Culture --- Folk music --- Folklore --- Group identity. --- Identity (Psychology). --- Study and teaching. --- Instruction and study. --- Group identity --- Identity (Psychology) --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Social psychology --- Collective memory --- Folk beliefs --- Folk-lore --- Traditions --- Ethnology --- Manners and customs --- Material culture --- Mythology --- Oral tradition --- Storytelling --- Cultural studies --- Study and teaching --- Instruction and study

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A source of profound insights into human existence and the nature of lived experience, phenomenology is among the most influential intellectual movements of the last hundred years. The Oxford Handbook of the Phenomenology of Music Cultures brings ideas from the phenomenological tradition of Continental European philosophy into conversation with theoretical, ethnographic, and historical work from ethnomusicology, anthropology, sound studies, folklore studies, and allied disciplines to develop new perspectives on musical practices and auditory cultures.With sustained theoretical meditations and evocative ethnography, the book's twenty-two chapters advance scholarship on topics at the heart of the study of music and culture today-from embodiment, atmosphere, and Indigenous ontologies, to music's capacity to reveal new possibilities of the person, the nature of virtuosity, issues in research methods, the role of memory, imagination, and states of consciousness in musical experience, and beyond. Thoroughly up-to-date, the handbook engages with both classical and contemporary phenomenology, as well as theoretical traditions that have drawn from it, such as affect theory or the German-language literature on cultural techniques. Together, these essays make major contributions to fundamental theory in the study of music and culture.

Phénoménologie et musique. --- Ethnomusicologie. --- Musique et société. --- Phenomenology and music. --- Ethnomusicology. --- Music --- Social aspects.

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Music --- Sociology of culture --- Heavy metal (Music) --- Music and globalization. --- Racism in popular culture. --- History and criticism. --- Heavy metal --- Musique et mondialisation --- Racisme dans la culture populaire --- Histoire et critique