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This is the first comprehensive critical bibliography of the Old French epic cycle of Guillaume d'Orange. As well as covering editions and studies of the twenty principal poems of the full cycle, including fragments, the bibliography includes works on La Chanson de Guillaume, the fifteenth-century prose romance derived from the cycle, and the four poems conserved only in the so-called Geste de Monglane. It offers exhaustive coverage of material published between the mid-nineteenth century and the year 2000, including book reviews. As well as listing and commenting on editions and studies of individual poems the bibliography has sections dealing with manuscript studies, studies of the cycle as a whole and groups of poems, thematic studies of characters, motifs, geography and history related to the poems. For ease of consultation it is completed by an index of scholars and an index of authors, titles and themes.
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Ce livre se propose comme but l'exploration des systèmes d'écriture qui déterminent la construction du cycle de chansons de geste dit de "Guillaume d'Orange" ou de "Garin de Monglane". Sans remettre en cause les études fondamentales de la mise en cycle des poèmes de David Hoggan (1952), de Madeleine Tyssens (1967) et des collaborateurs du colloque sur la cyclification (1992), il les dépasse en réinsérant ces travaux dans le contexte de la pensée socio-anthropologique de Georges Dumézil et de Mikhaïl Bakhtine, et dans celui des théories de la ré-écriture et de la réception de Gérard Genette et de Hans-Robert Jauss
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Old French literature --- Paleografie [Franse ] --- Paleographie française --- Paleography [French ] --- French literature --- To 1500 --- Criticism [Textual ] --- Manuscripts [Medieval ] --- France --- Editing --- Manuscripts [French ] --- French language
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The Singer and the Scribe brings together studies of the European ballad from the Middle Ages to the twentieth century by major authorities in the field and is of interest to students of European literature, popular traditions and folksong. It offers an original view of the development of the ballad by focusing on the interplay and interdependence of written and oral transmission, including studies of modern singers and their repertoires and of the role of the audience in generating a literary product which continues to live in performance. While using specific case studies the contributors systematically extend their reflections on the ballad as song and as poetry to draw broader conclusions. Covering the Hispanic world, including the Sephardic tradition, Scandinavia, The Netherlands, Greece, Russia, England and Scotland the essays also demonstrate the interconnections of a European tradition beyond national boundaries.
Ballads [English ] --- History and criticism --- Congresses --- Ballads --- Europe --- Ballads, English --- History and criticism. --- English ballads --- English ballads and songs --- Folk ballads --- Lyric poetry --- Poetry --- Songs --- Vocal music --- Folk songs
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Fiction --- Old French literature --- Guillaume d'Orange --- Chansons de geste --- French poetry --- Poésie française --- History and criticism --- Histoire et critique --- William, --- McMillan, Duncan, --- Romances --- Epic poetry, French --- Civilization, Medieval, in literature --- Guillaume d'Orange (Chansons de geste) --- Epic poetry in Old French --- Civilization, Medieval, in literature. --- History and criticism. --- Chansons de geste. --- Poésie française --- Guillaume d'Orange [Fictitious character] --- French poetry - To 1500 - History and criticism --- Epic poetry, French - History and criticism --- Chansons de geste - History and criticism --- William, - Saint, Duke of Aquitaine, - 755?-812 - Romances - History and criticism --- William, - Saint, Duke of Aquitaine, - 755?-812 --- William, Saint, Duke of Aquitaine, 755?-812
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French poetry --- Chansons de geste --- Women in literature --- Poésie française --- Femmes dans la littérature --- Congresses --- Congrès --- Poésie française --- Femmes dans la littérature --- Congrès --- Charlemagne dans la litterature
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