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This book focuses on Hugo von Hofmannsthal's intense, lifelong concentration upon a single cohesive set of poetic, philosophical and ethical concerns, a quality of his work which has been neglected in the bulk of existing scholarship. Professor Bennett examines Hofmannsthal's work in the context of literary theory and the history of philosophy, referring especially to Nietzsche, German Idealism and the poetics of German Classicism. He identifies three principal areas of concern to Hofmannsthal: the theory of genre, the question of the role of literature in society and the search for a fruitful response to the problem of the historical development of culture. The argument proceeds by way of detailed interpretation of texts, including Der Tor und der Tod, the Chandos letter, Ariadne auf Naxos, Der Schwierige, Das Salzburger Grosse Welttheater and Der Turm.
Hofmannsthal, von, Hugo --- 830 "19" VON HOFMANNSTHAL, HUGO --- Duitse literatuur--20e eeuw. Periode 1900-1999--VON HOFMANNSTHAL, HUGO --- Hofmannsthal, Hugo von --- -Criticism and interpretation --- 830 "19" VON HOFMANNSTHAL, HUGO Duitse literatuur--20e eeuw. Periode 1900-1999--VON HOFMANNSTHAL, HUGO --- Hofmannsthal, Hugo von, --- Von Hofmannsthal, Hugo, --- Hofmannstahl, Hugo von, --- Hofmann, Hugo, --- Hoffmannsthal, Hugo von, --- Hofmansthal, Hugo von, --- Chophmanstal, Ounko phon, --- Morren, Theophil, --- Gofmanstal, Gugo fon, --- Гофманстал, Гуго фон, --- Fon Gofmanstal, Gugo, --- Фон Гофманстал, Гуго, --- Hofmansṭal, Hugo fun --- fun Hofmansṭal, Hugo --- פון הופמנסטל, הוגו --- הופמנסטל, הוגו פון --- Criticism and interpretation. --- Arts and Humanities --- Literature --- Theater
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Drama --- anno 1800-1999 --- Théâtre (Genre littéraire) --- History and criticism --- Histoire et critique --- Drama. --- Theater. --- History and criticism. --- 82-2 --- -Drama --- -Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama, Modern --- Plays --- Literature --- Dialogue --- Toneel. Drama --- Philosophy --- 82-2 Toneel. Drama --- Théâtre (Genre littéraire) --- Theater --- Dramas --- Dramatic works --- Playscripts
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"The most celebrated of German poets, Johann Wolfgang von Goethe is today as much an institution as a writer. This innovative study shows unexpected relations between Goethe the artist and "Goethe" the posthumous tradition, and considers the radical historical metamorphosis of his textual being." "Drawing on a lifetime of reading and reflecting on Goethe, Benjamin Bennett focuses on that writer's own struggle with the idea of reading, and with an understanding of the "wrongness" of literature that opens onto the possibility of woman as a needful destabilizing factor. Bennett shows that even in his early writing Goethe exhibits a highly developed theoretical resistance against both the aesthetic and the national aspects of what was understood as literature in his time, an attitude that would lead him to experiment with gender difference as a means of staking out new literary positions." "Benjamin Bennett is a professor of German at the University of Virginia."--Jacket.
Literature --- Feminism and literature --- Women and literature --- Gender identity in literature. --- Littérature --- Féminisme et littérature. --- Femmes et littérature. --- Identité sexuelle dans la littérature. --- Aesthetics. --- Feminism and literature. --- Literature. --- Women and literature. --- Feminisme. --- Letterkunde. --- Feminismus. --- Psychoanalyse. --- History and criticism --- Theory, etc. --- Histoire et critique --- Théorie, etc. --- Goethe, Johann Wolfgang von, --- Goethe, Johann Wolfgang von. --- Knowledge --- Et la littérature. --- Esthétique. --- Germany.
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All Theater Is Revolutionary Theater is the first book to consider why, in the Western tradition (and only in the Western tradition), theatrical drama is regarded as its own literary or poetic type, when the criteria needed to differentiate drama from other forms of writing do not resemble the criteria by which types of prose or verse are ordinarily distinguished. Through close readings of such playwrights as Beckett, Brecht, Büchner, Eliot, Shaw, Wedekind, and Robert Wilson, Benjamin Bennett looks at the relationship between literature and drama, identifying typical problems in the development of dramatic literature and exploring how the uncomfortable association with theatrical performance affects the operation of drama in literary history.Bennett's historical investigations into theoretical works ranging from Aristotle to Artaud, Brecht, and Diderot suggest that the attempt to include drama in the system of Western literature causes certain specific incongruities that, in his view, have the salutary effect of preserving the otherwise endangered possibility of a truly liberal, progressive, or revolutionary literature.
Theater --- Philosophy.
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German literature --- Irony in literature. --- History and criticism.
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European drama --- German drama --- German drama --- History and criticism. --- History and criticism. --- History and criticism.
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Books and reading. --- European literature --- Literature, Modern --- History and criticism. --- History and criticism.
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