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Socialism --- Socialisme --- History --- Histoire --- Jaurès, Jean, --- Critique et interprétation --- Jaurès, Jean,
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Comparative government. --- Political sociology. --- Public goods. --- Social change.
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Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.
Orientalism in art --- Painting, French --- Vivelapeinture (Group of artists) --- Ziniars (Group of artists) --- Painting, Modern --- Africa, North --- Barbary States --- Maghreb --- Maghrib --- North Africa
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Une métaphysique de la création continue, une éthique de la personne, sujet actif et créateur, tels sont les fondements philosophiques du socialisme. Le travail intellectuel, force de production en développement, qui entrera en contradiction avec les rapports de production tels qu'ils existent actuellement, et assurera le contrôle du Capital qui sera public et non plus privé, voilà ce qui constitue le fondement social du socialisme. Si la démocratie, c'est l'incarnation de l'exigence de liberté, la république, c'est la démocratie vivifiée par l'aspiration à l'égalité, et le socialisme, c'est la république orientée vers ses fins par l'instauration du règne de la justice, par la transformation progressive de la propriété capitaliste en propriété sociale et par l'appel à la fraternité. Le socialisme est un idéal qui vise le changement radical de la société.
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Social problems --- Age group sociology --- Criminology. Victimology --- anno 1950-1959 --- anno 1960-1969 --- France
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Matisse, Henri, --- Matisse, Henri --- Criticism and interpretation. --- Philosophy.
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