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"In her collection Strange Hours, the writer Rebecca Bengal considers over a century of photography that has defined our relationship to the medium. Through generous and in-depth essays, profiles, reviews, and interviews, Bengal contemplates photography's narrative power, from the radical intimacy of Nan Goldin's New York demimonde to Justine Kurland's pictures of rebel girls on the open road. Bengal brings us closer to several pioneering artists and the personal, political, and poetic stories that surround their photographs. Throughout Strange Hours, Bengal's prose is attentive to the alchemy of experience, chance, and pioneering vision that has always pushed photography's potential for unforgettable storytelling"--
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Julia Rommel est une peintre abstraite américaine dont l’œuvre porte des références aux canons de l’histoire de l’art (notamment aux expressionnistes abstraits ainsi qu’aux maîtres européens tels que Matisse) aussi bien qu’à ses propres processus de création, de construction et de déconstruction. Ses recherches, qui visent à mettre à distance la signature propre de l’artiste pour insister sur l’objectivité de l’œuvre, portent également sur les conflits entre les couleurs et la neutralisation mutuelle des tons.”
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Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is. Included are Gregory Halpern's Californian waking dream ZZYZX; Vanessa Winship's peripatetic exercise in empathy she dances on Jackson; the human assemblages of Curran Hatleberg's Lost Coast; Stanley Wolukau-Wanambwa's rich and multitudinous One Wall a Web; the mortality-tinged America of Richard Choi's What Remains; RaMell Ross' visionary documentary work South County; the collaborative project Index G by Emanuele Bruti & Piergiorgio Casotti; and Kristine Potter's disorientating exploration of the American landscape and masculinity in Manifest. All these works are brought together in harmony and enlightening dissonance, as Graham teases out a new photographic form.
Photography, Artistic --- fotografie --- documentaire fotografie --- landschapsfotografie --- portretfotografie --- eenentwintigste eeuw --- 77.039 --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Exhibitions --- documentary photography --- Video art --- History --- Photographie --- Brutti, Emanuele --- Casotti, Piergiorgio --- Choi, Richard --- Halpern, Gregory --- Hatleberg, Curran --- Potter, Kristine --- Ross, RaMell --- Winship, Vanessa --- Wolukau-Wanambwa, Stanley --- Photography, Artistic - 21st century - Exhibitions --- Video art - History - 21st century - Exhibitions --- Halpern, Gregory 1977 --- -Hatleberg, Curran
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"A foreboding meditation in the vein of Southern Gothic literature, Drake's most recent body of work emerged through her collaboration with an enigmatic group of women loosely calling themselves "Knit Club." The nature of the club is ambiguous. It is a cross between a gang, a cult of mysteries, and a group of friends bound by secrets only they share. The book follows a narrative structure loosely borrowed from Faulkner's As I Lay Dying-- that is to say, not one omniscient narrator but many disparate stream-of-consciousness voices. We sense the authorship of the photographs to be collaborative, the result of creative play between Drake and the club in which she found herself embedded, their process a kind of alchemy. In the style of the Gothic, Drake's masterful use of color to create mood opens the door to the tension between the real and the supernatural. What we find, however, is not grotesque but something vital. A community that manages to exist outside the gaze or control of men. Women, children, and mothers, shrouded in masks and mystery to live a life on their own terms."--from the publisher.
Photography, Artistic --- Photography of women --- Mothers --- Drake, Carolyn. --- Water Valley (Miss.)
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