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This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly-detailed architecture in a primary role in his paintings. Francesco Benelli demonstrates how architecture was used to create pictorial space, one of Giotto's key inventions. He argues that Giotto's innovation was driven by a new attention to classical sources, including low reliefs, mosaics, mural paintings, coins, and Roman ruins. The book shows how Giotto's images of fictive buildings, as well as portraits of well-known monuments, both ancient and contemporary, play an important role in the overall narrative, iconography, and meaning of his works. The conventions established by Giotto remained at the heart of early modern Italian painting until the sixteenth century.
Architecture in art. --- Architecture --- Renaissance --- Giotto, --- Criticism and interpretation. --- Rapport art-architecture
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"This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed architecture in a primary role in his paintings. Francesco Benelli demonstrates how architecture was used to create pictorial space, one of Giotto's key inventions. He argues that Giotto's innovation was driven by a new attention to classical sources, including low reliefs, mosaics, mural paintings, coins and Roman ruins. The book shows how Giotto's images of fictive buildings, as well as portraits of well-known monuments, both ancient and contemporary, play an important role in the overall narrative, iconography and meaning of his works. The conventions established by Giotto remained at the heart of early modern Italian painting until the sixteenth century"--
Architecture in art. --- Mural painting and decoration, Italian --- Mural painting and decoration, Gothic --- Architecture dans l'art --- Peinture et décoration murales italiennes --- Peinture et décoration murales gothiques --- Themes, motives --- Thèmes, motifs --- Giotto, --- 72.034 --- 75 --- Architectuur van de renaissance; barok; rococo en koloniale stijl --- Schilderkunst --- 75 Schilderkunst --- 72.034 Architectuur van de renaissance; barok; rococo en koloniale stijl --- Peinture et décoration murales italiennes --- Peinture et décoration murales gothiques --- Thèmes, motifs --- Architecture in art --- Italian mural painting and decoration --- Gothic mural painting and decoration --- Giotto di Bondone, --- Bondone, Giotto di, --- Dzhotto di Bondone, --- Dzhiotto, --- Di Bondone, Giotto, --- ジオット, --- Criticism and interpretation. --- Giotto di Bondone --- Bondone, Giotto di --- Dzhotto di Bondone --- Dzhiotto --- Di Bondone, Giotto --- ジオット --- 75.07 --- Giotto (di Bondone) 1267/75 - 1337 (° Vespignano, bij Firenze, Italië) --- 72.034(45) --- Schilderkunst ; schilders A-Z --- Architectuurgeschiedenis ; Renaissance ; Barok ; Rococo ; Italië
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72.034 <45> --- Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië --- Architecture --- Roman influences. --- Pietro, --- Delizia di Belriguardo (Voghiera, Italy) --- Palazzo del podestà (Bologna, Italy) --- S. Maria in via Lata (Church : Rome, Italy) --- Delizia di Belriguardo (Voghiera, Italy). --- Palazzo del podestà (Bologna, Italy). --- S. Maria in via Lata (Church : Rome, Italy). --- 72.034 <45> Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië --- Roman influences --- Berettini, Pietro, --- Berrettini, Pietro, --- Cortona, Pietro da, --- Palazzo del podestà (Bologna, Italy) --- Santa Maria in via Lata (Church : Rome, Italy) --- Our Lady at Via Lata (Church : Rome, Italy) --- Bologna. --- Bologna (Italy).
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Architecture --- Painting --- Raphael --- Rome
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