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Wide-screen processes (Cinematography) --- History. --- Cinemascope --- Cinerama --- Ecrans larges
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Culture in motion pictures. --- Motion picture industry --- Motion pictures --- Popular culture --- History. --- Social aspects --- History --- -Motion picture industry --- -Motion pictures --- -Popular culture --- #SBIB:309H1320 --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- -History --- -De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History and criticism --- Culture in motion pictures --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- American culture
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Alfred Hitchcock's Rear Window is one of the icons of American filmmaking. A perfect example of Hollywood cinema at its best, it is an engaging piece of entertainment as well as a fascinating meditation on the nature of the film itself. A suspense thriller about a chair-bound observer who suspects his neighbour of murdering his wife, the narrative becomes the vehicle for Hitchcock's exploration of the basic ingredients of cinema, from voyeurism and dreamlike fantasy to the process of narration itself. This volume provides a fresh analysis of Rear Window, which is examined from a variety of perspectives in a series of essays published here for the first time. Providing an account of the actual production of the film, as well as feminist and cultural readings of it, it also demonstrates the influence of Rear Window on a wide range of filmmakers, including Antonioni, De Palma, and Coppola.
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Alfred Hitchcock's Rear Window is one of the icons of American filmmaking. A perfect example of Hollywood cinema at its best, it is an engaging piece of entertainment as well as a fascinating meditation on the nature of the film itself. A suspense thriller about a chair-bound observer who suspects his neighbor of murdering his wife, the narrative becomes the vehicle for Hitchcock's exploration of the basic ingredients of cinema, from voyeurism and dreamlike fantasy, to the process of narration itself. This volume provides a fresh analysis of Rear Window, which is examined from a variety of perspectives in a series of essays published here for the first time.
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24.32 history of film art. --- Motion picture industry --- Motion pictures --- Popular culture --- History --- Social aspects --- United States --- United States. --- In motion pictures.
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film directors --- Ulmer, Edgar Georg --- Hawks, Howard --- Borzage, Frank
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Motion picture plays, American --- Motion pictures --- History and criticism --- Cinema films
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