Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Kerouac. Ginsberg. Burroughs. These are the most famous names of the Beat Generation, but in fact they were only the front line of a much more wide-ranging literary and cultural movement. This critical history takes readers through key works by these authors, but also radiates out to discuss dozens more writers and their works, showing how they all contributed to one of the most far-reaching literary movements of the post-World War II era. Moving from the early 1940s to the late 1960s, this book explores key aesthetic and thematic innovations of the Beat writers, the pervasiveness of the Beatnik caricature, the role of the counterculture in the post-war era, the involvement of women in the Beat project, and the changing face of Beat political engagement during the Vietnam War era.

Beats (Persons) --- American literature --- Counterculture --- Beat generation --- Beatniks --- Persons --- Bohemianism --- Philosophy. --- History and criticism. --- History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Cambridge Companion to the Beats offers an in-depth overview of one of the most innovative and popular literary periods in America, the Beat era. The Beats were a literary and cultural phenomenon originating in New York City in the 1940s that reached worldwide significance. Although its most well-known figures are Jack Kerouac, Allen Ginsberg, and William S. Burroughs, the Beat movement radiates out to encompass a rich diversity of figures and texts that merit further study. Consummate innovators, the Beats had a profound effect not only on the direction of American literature, but also on models of socio-political critique that would become more widespread in the 1960s and beyond. Bringing together the most influential Beat scholars writing today, this Companion provides a comprehensive exploration of the Beat movement, asking critical questions about its associated figures and arguing for their importance to postwar American letters.

Beats (Persons)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

American literature --- United States of America

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Cambridge Companion to the Beats offers an in-depth overview of one of the most innovative and popular literary periods in America, the Beat era. The Beats were a literary and cultural phenomenon originating in New York City in the 1940s that reached worldwide significance. Although its most well-known figures are Jack Kerouac, Allen Ginsberg, and William S. Burroughs, the Beat movement radiates out to encompass a rich diversity of figures and texts that merit further study. Consummate innovators, the Beats had a profound effect not only on the direction of American literature, but also on models of socio-political critique that would become more widespread in the 1960s and beyond. Bringing together the most influential Beat scholars writing today, this Companion provides a comprehensive exploration of the Beat movement, asking critical questions about its associated figures and arguing for their importance to postwar American letters.

Beat generation --- American literature --- History and criticism. --- Beats (Persons)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The time is right for a critical reassessment of Cold War culture both because its full cultural impact remains unprocessed and because some of the chief paradigms for understanding that culture confuse rather than clarify. A collection of the work of some of the best cultural critics writing about the period, American Literature and Culture in an Age of Cold War reveals a broad range of ways that American cultural production from the late 1940's to the present might be understood in relation to the Cold War. Critically engaging the reigning paradigms

Cold War in literature. --- American literature --- History and criticism.