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Book history --- Music --- anno 500-1499 --- 091:78 --- 78 --- 091 <41 LONDON> --- 091.31:7.04 --- Handschriften i.v.m. muziek --- Muziek --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- Verluchte handschriften: iconografie --- 091.31:7.04 Verluchte handschriften: iconografie --- 091 <41 LONDON> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- 78 Muziek --- 091:78 Handschriften i.v.m. muziek --- 78.23 --- Enluminure medievale --- Musique --- British library --- Musique religieuse --- Dans l'art --- Ouvrages illustres --- 500-1400 --- Manuscrits --- Catalogues --- 15e siecle --- Notations

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Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history.

Art [Christian ] --- Art [Eclesiastical ] --- Art chrétien --- Art ecclésiastique --- Art et symbolisme chrétiens --- Art religieux chrétien --- Art sacré --- Arts in the Church --- Christelijke iconografie --- Christelijke kunst en symboliek --- Christelijke symboliek --- Christian art and symbolism --- Christian symbolism --- Ecclesiastical art --- Godsdienstige kunst [Christelijke ] --- Iconografie [Christelijke ] --- Iconographie chrétienne --- Kerkelijke kunst --- Kunst [Christelijke ] --- Kunst [Godsdienstige ] [Christelijke ] --- Kunst [Kerkelijke ] --- Kunst [Sacrale ] --- Religious art [Christian ] --- Sacrale kunst --- Sacred art --- Symboliek [Christelijke ] --- Symbolisme chrétien --- 82:3 --- 2:7 --- Literatuur en maatschappijwetenschappen --- Godsdienst. Theologie-:-Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- 2:7 Godsdienst. Theologie-:-Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- 82:3 Literatuur en maatschappijwetenschappen --- Christianity and the arts.

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Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history.

Christian art and symbolism --- Christianity and the arts --- Tradition --- History

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Le présent ouvrage rassemble la plupart des conférences prononcées lors d'un colloque international qui s'est tenu à l'université de Poitiers, en novembre 2011. À l'occasion du cinquantième anniversaire de la création du Département de musicologie de cette université (1961), les organisateurs avaient souhaité rendre hommage à celle qui était à l'origine de cette fondation et en était devenue tout naturellement la première responsable. La partie centrale de ce livre s'efforce de cerner l'apport de Solange Corbin (1903-1973) à la musicologie médiévale. Spécialiste des répertoires de chant de la Chrétienté latine, son approche historique et musicologique doublée d'une réflexion anthropologique en fait une figure pionnière de la musicologie médiévale française d'après guerre. En replaçant le chant, et plus largement la musique, dans le contexte liturgique et culturel de la civilisation tardo-antique et médiévale, Solange Corbin a ouvert la voie à une approche de la musique médiévale différente de celle qui était pratiquée dans les institutions religieuses dépositaires du patrimoine liturgique latin. Une partie introductive est consacrée à sa carrière et une section finale présente des réflexions sur des domaines de recherche que Solange Corbin n'a pas elle-même explorés, mais qu'elle a soutenus et encouragés. En annexe figurent la liste des thèses soutenues sous sa direction, puis celle de ses propres écrits, enfin un certain nombre de documents illustrant la vie du Département, de 1961 à 1975.

Music --- Music theory --- Musicology --- Musique --- Théorie musicale --- Musicologie --- History and criticism --- Congresses --- History --- Histoire et critique --- Congrès --- Histoire --- Corbin, Solange --- Congressen --- musique --- Moyen Âge --- pionnier