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Art [Byzantine ] --- Art [Early Christian ] --- Art byzantin --- Art paléochrétien --- Byzantijnse kunst --- Byzantine art --- Early christian art --- Kunst [Byzantijnse ] --- Kunst [Vroegchristelijke ] --- Oudchristelijke kunst --- Vroegchristelijke kunst --- kunst [Oudchristelijke ] --- 72.033.1 --- 72.033.2 --- Architecture, Early Christian --- Architecture, Byzantine --- Church architecture --- -#BIBC:bibl.Reekmans --- 723.1 --- 723.2 --- Byzantine architecture --- Byzantine revival (Architecture) --- Ecclesiastical architecture --- Rood-lofts --- Christian art and symbolism --- Religious architecture --- Architecture, Gothic --- Church buildings --- Early Christian architecture --- Vroegchristelijke bouwkunst --- Architectuur van Byzantium; Oud-Rusland; Oud-Armenie --- History --- Arts Architecture Medieval 300-1400 Early christian architecture --- Arts Architecture Medieval Byzantine --- 72.033.2 Architectuur van Byzantium; Oud-Rusland; Oud-Armenie --- 72.033.1 Vroegchristelijke bouwkunst --- #BIBC:bibl.Reekmans

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Ivories, Medieval --- Ivories --- IVOIRES MEDIEVAUX --- ANGLETERRE --- 07E-12E SIECLES

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Art --- anno 500-1199 --- Early Medieval --- middeleeuwen --- middeleeuwse kunst --- Kunst middeleeuwen --- Kunst ; middeleeuwen --- Art, Carolingian --- Art, Medieval --- Art, Ottonian --- Art, Romanesque --- Romanesque art --- Christian art and symbolism --- Ottonian art --- Medieval art --- Art, Carlovingian --- Carolingian art --- Art, Carolingian. --- Art, Medieval. --- Art, Ottonian. --- Art, Romanesque. --- Europe

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7.033.4 --- #GROL:SEMI-7.033.1 --- 7.033.4 Karolingische kunst. Romaanse kunst --- Karolingische kunst. Romaanse kunst --- Art --- Medieval [European] --- Romanesque --- romaanse kunst --- Karolingische kunst --- middeleeuwse kunst --- Ottoonse kunst --- anno 500-1199 --- History of civilization --- anno 500-1499 --- Carolingian styles --- Ottonian --- art [discipline]

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The appreciation of early christian and byzantine art as a sublime expression of religious thought and feeling is ac omparatively modern phenomenon. Byzantine art is both static and dynamic : static in the sense that once an image was established it was felt that no improvement was necessary ; dynamic in the sense that there was never one style and these styles or modes were constantly changing. The story is not only complex in its unravelling but ranges widely over various media : mosaic, wall painting and painted panels, sculpture in marble and ivory, manuscript illumination, gold, silver, and precious stones, jewellery, silk and rich vestments. This enthralling account by a gifted medieval art-historian should remain a standard work for many years to come.

Art --- anno 1-499 --- Art paléochrétien --- Art byzantin