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Die moderne Populärkultur kam auf der Bühne zur Welt. Noch bevor Film und Radio sich etablierten, entwickelte sich das Unterhaltungstheater zu einer kommerziellen und grenzüberschreitenden Vergnügungsindustrie, die ein Massenpublikum erreichte. Tobias Becker vergleicht die Theaterlandschaften von Berlin und London und zeichnet den kulturellen Austausch zwischen diesen Metropolen im Zeitalter der ‚langen Jahrhundertwende‘ (1880 bis 1930) nach.

Théâtre

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"This book tells the story of the history of popular culture in Europe since 1800, providing a framework which challenges traditional associations that have formulated popular culture firmly in relation to the post-1945 period and the economic power of the USA. Focusing on key themes associated with modernity - secularization, industrialization, social cohesion and control, globalization and technological change - this synthesis of research across a very wide field fills a gap that has long been felt by students and educators working in the field of popular culture. While it is organized as a history of cultural forms, it can also be used across a wide range of social science and humanities programmes, including media and cultural studies, literary studies, sociology and European studies. Covering the subject with a broad number of themes, this book discusses popular culture through visual culture and performance, games, music, film, television, and video games. Popular Culture in Europe since 1800 will be of interest to anyone looking for an engaged but concise overview of how book production and reading practices, visual cultures, music, performance and sports and games developed across Europe in the modern period"--

Popular culture --- History --- Europe --- Social life and customs. --- Civilization.

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The Routledge Handbook of Nostalgia serves as a guide to the complex and often contradictory concept of nostalgia, as well as the field of nostalgia studies more broadly.

Nostalgia --- Philosophy. --- Nostalgie --- Philosophy --- Philosophie.

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In the decades before the Second World War, popular musical theatre was one of the most influential forms of entertainment. This is the first book to reconstruct early popular musical theatre as a transnational and highly cosmopolitan industry that included everything from revues and operettas to dance halls and cabaret. Bringing together contributors from Britain and Germany, this collection moves beyond national theatre histories to study Anglo-German relations at a period of intense hostility and rivalry. Chapters frame the entertainment zones of London and Berlin against the wider trading routes of cultural transfer, where empire and transatlantic song and dance produced, perhaps for the first time, a genuinely international culture. Exploring adaptations and translations of works under the influence of political propaganda, this collection will be of interest both to musical theatre enthusiasts and to those interested in the wider history of modernism.

Musical theater --- Lyric theater --- Theater --- History --- London (England) --- Berlin (Germany) --- Stadt Berlin (Germany) --- Berlin (Germany : State) --- Berlim (Germany) --- Baralīna (Germany) --- Berolinum (Germany) --- Berlinum (Germany) --- Verolino (Germany) --- Land Berlin (Germany) --- Berlin State (Germany) --- Berlino (Germany) --- Berlijn (Germany) --- Berlin (Germany : West) --- Berlin (Germany : East) --- Social life and customs --- Théâtre musical --- Histoire --- Londres (GB) --- Berlin (Allemagne) --- Moeurs et coutumes --- Musical theater - England - London - History - 20th century --- Musical theater - England - London - History - 19th century --- Musical theater - Germany - Berlin - History - 20th century --- Musical theater - Germany - Berlin - History - 19th century --- London (England) - Social life and customs - 20th century --- London (England) - Social life and customs - 19th century --- Berlin (Germany) - Social life and customs - 20th century --- Berlin (Germany) - Social life and customs - 19th century