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The sea is omnipresent in Greek life. Visible from nearly everywhere, the sea represents the life and livelihood of many who dwell on the islands and coastal areas of the Mediterranean, and it has been so since long ago—the sea loomed large in the Homeric epics and throughout Greek mythology. The Greeks of antiquity turned to the sea for food and for transport; for war, commerce, and scientific advancement; and for religious purification and other rites. Yet, the sea was simultaneously the center of Greek life and its limit. For, while the sea was a giver of much, it also embodied danger and uncertainty. It was in turns barren and fertile, and pictured as both a roadway and a terrifying void. The image of the sea in Greek myth is as conflicting as it is common, with sea crossings taking on seemingly incompatible meanings in different circumstances. In The Sea in the Greek Imagination, Marie-Claire Beaulieu unifies the multifarious representations of the sea and sea crossings in Greek myth and imagery by positing the sea as a cosmological boundary between the mortal world, the underworld, and the realms of the immortal. Through six in-depth case studies, she shows how, more than a simple physical boundary, the sea represented the buffer zone between the imaginary and the real, the transitional space between the worlds of the living, the dead, and the gods. From dolphin riders to Dionysus, maidens to mermen, Beaulieu investigates the role of the sea in Greek myth in a broad-ranging and innovative study.
Liminality. --- Liminalité. --- Anthropologie maritime --- Mythology, Greek. --- Mythologie grecque. --- Ocean --- Mer --- Life. --- Religious aspects. --- Aspect religieux. --- Mythology. --- Mythologie. --- Aspect religieux --- Mythologie --- Death. --- Greek mythology --- Anthropology --- Psychology --- Rites and ceremonies --- Life --- Death --- Dying --- End of life --- Terminal care --- Terminally ill --- Thanatology --- Philosophy --- Ancient Studies. --- Classics.
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Boundaries (Estates) --- Boundaries (Estates) --- Adjoining landowners --- Adjoining landowners --- Bornage (Droit civil) --- Voisinage (Droit)
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The past few years in Canada have been marked by numerous events in the course of which Canadian Settlers were invited to reconsider their perspectives on, and practices toward the Indigenous population. Public schools are one of the main institutions directly invited to reflect on and challenge their own colonial legacy and ongoing colonial structures and practices. This project aims at better understanding how a K-12 Manitoba public-school and its Settler educators represent, reflect on, and practice their relationship to Indigeneity and to their Anishinaabe neighbors. It thus explores how Settlerness is constantly constructed, and how this takes shape in this public school, in the midst of the changing recognition of Indigenous Peoples in Canada. The research investigates structures of Settler dominations that were reproduced and disrupted in the school through changing practices.Marie-Eve Beaulieu is a Quebec-based educator of Settler ancestry. She holds a B.A. from the Université du Québec à Montréal, an M.A. from the Université de Montréal, and a PhD in Education from the University of Trier, Germany. As members of her Franco-Canadian family were involved in the residential school's project of Indigenous assimilation, she is interested in the transformation of Settler identity in a time of growing awareness for Indigenous oppression.
Public schools --- Indigenous peoples --- Emigration and immigration --- Social aspects.
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DROIT SOCIAL --- CANADA --- CANADA --- DROIT SOCIAL --- CANADA --- CANADA
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Comparative literature --- anno 500-1499 --- Exempla in literature --- Dialogue in literature --- Literature, Medieval --- History and criticism --- Littérature didactique médiévale --- Dialogue (littérature) --- Histoire et critique --- Actes de congrès --- Congresses --- Actes de congrès. --- Exempla in literature - Congresses --- Dialogue in literature - Congresses --- Literature, Medieval - History and criticism - Congresses --- Exempla
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"This volume is a groundbreaking discussion of the role of digital media in research on ancient painting, and a deep reflection on the effect of digital media in opening the field to new audiences. The study of classical art always oscillates between archaeology and classics, between the study of ancient texts and archaeological material. For this reason, it is often difficult to collect all the data, to have access to both types of information on an equal basis. The increasing development of digital collections and databases dedicated both to archaeological material and ancient texts is a direct response to this problem. The book's central theme is the role of the digital humanities, especially digital collections such as the "Digital Milliet", in the study of ancient Greek and Roman painting. Part one focuses on the transition between the original book version of the Recueil Milliet and its digital incarnation. Part two addresses the application of digital tools to the analysis of ancient art. Part three focuses on ancient wall painting. The book will be of interest to scholars working in art history, classics, archaeology, and digital humanities"
Painting, Greek --- Painting, Roman --- Art, Classical --- Digital humanities. --- Research --- Data processing. --- Humanities --- Classical art --- Classical antiquities --- Roman painting --- Greek painting --- Data processing --- Information technology
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