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History --- earthworks [sculpture] --- gardens [open spaces] --- public art --- Iconography --- Art styles --- sculpting --- Art --- Sculpture --- art history --- parks [recreation areas] --- environmental art --- outdoor sculpture --- monuments --- Mack, Mark --- Sonfist, Alan --- Simonds, Charles --- Christo --- Hollis, Doug --- Miss, Mary --- Long, Richard --- Fite, Harvey --- Jordan, Lorna --- Trakas, George --- Herd, Stan --- Ross, Karl --- Beuys, Joseph --- Black & Veach, Inc. --- Johanson, Patricia --- Poirier, Anne --- Bayer, Herbert --- Holt, Nancy --- Hargreaves, George --- Turrell, James --- Wood, Alan --- Andre, Carl --- Serra, Richard --- Dougherty, Patrick --- Armajani, Siah --- Harrison, Helen Mayer --- Pomodoro, Arnaldo --- Smithson, Robert --- Chin, Mel --- Puryear, Martin --- Zimmerman, Elyn --- Dolega, Stan --- Ukeles, Mierle Laderman --- Nash, David --- Harrison, Newton --- Sanborn, Jim --- Schwartz, Martha --- Child, Susan --- Walker, Peter E. --- Singer, Michael --- Leicester, Andrew --- Smyth, Ned --- Brancusi, Constantin --- Goldsworthy, Andy --- Finlay, Ian Hamilton --- McMurrin, Sterling --- Pepper, Beverly --- Sakellar, Dino --- Mendieta, Ana --- Oppenheim, Dennis --- Jencks, Charles --- Glatt, Linea --- Lin, Maya --- Burton, Scott --- Fleischner, Richard --- Tacha, Athena --- McCoy, Karen --- Heizer, Michael --- Webster, Meg --- Morris, Robert --- Epstein, Richard --- Noguchi, Isamu --- Maria, de, Walter --- Irwin, Robert --- Kinnebrew, Joseph --- Pierce, James --- Freeman, Douglas --- Bennett, William --- Ant Farm --- anno 1900-1999 --- anno 2000-2099 --- United States --- Great Britain --- David, Michael --- Glatt, Linnea --- parks [public recreation areas] --- United States of America

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Avant-garde (Aesthetics) --- Earthworks (Art) --- Earth art --- Earth scale art --- Land art --- Art, Modern --- Conceptual art --- Aesthetics --- Modernism (Art) --- History --- Art styles --- Iconography --- Art --- Sculpture --- outdoor sculpture --- earthworks [sculpture] --- art history --- public art --- environmental art --- monuments --- gardens [open spaces] --- parks [recreation areas] --- sculpting --- Brancusi, Constantin --- Wood, Alan --- Andre, Carl --- Finlay, Ian Hamilton --- Armajani, Siah --- Holt, Nancy --- Irwin, Robert --- Pepper, Beverly --- Puryear, Martin --- Simonds, Charles --- Bennett, William --- Child, Susan --- Dolega, Stan --- Fite, Harvey --- Fleischner, Richard --- Freeman, Douglas --- Morris, Robert --- Hollis, Doug --- Christo --- Johanson, Patricia --- Kinnebrew, Joseph --- Smithson, Robert --- Leicester, Andrew --- Miss, Mary --- Pierce, James --- Nash, David --- Smyth, Ned --- Tacha, Athena --- Trakas, George --- Long, Richard --- Zimmerman, Elyn --- Heizer, Michael --- Noguchi, Isamu --- Serra, Richard --- Goldsworthy, Andy --- Turrell, James --- Bayer, Herbert --- Burton, Scott --- Lin, Maya --- Maria, de, Walter --- Pomodoro, Arnaldo --- Poirier, Anne --- Ant Farm --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1900-1999 --- anno 2000-2099 --- Great Britain --- United States --- 7.038 --- Andre carl --- Armajani Siah --- Bayer Herbert --- Bennett William --- Burton Scott --- De Maria Walter --- Dolega Stan --- Eart Works --- Finlay ian Hamilton --- Fite Harvey --- Fleischner Richard --- Heizer Michael --- Hollis Doug --- Holt Nancy --- Irwin Robert --- Johanson Patricia --- John Beardsley --- Kinnebrew Joseph --- kunst --- land art --- Leicester Andrew --- Lin Maya --- Miss mary --- Morris Robert --- Noguchi Isamu --- Pepper Beverly --- Pierce James --- Poirier Anne --- Poirier Patrick --- Puryear Martin --- Serra Richard --- Smithson Robert --- Smyth Ned --- Tacha Athena --- Trakas george --- Turrell James --- twintigste eeuw --- Zimmerman Elyn --- parks [public recreation areas] --- United States of America

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Self-taught artist James Castle (1899–1977) is primarily known for soot and saliva drawings of meticulously rendered domestic interiors and farm scenes, along with fantastical figures, animals, and architectural constructions made of cardboard and stitched paper. Castle was born into a family of homesteaders in Idaho, and his visual world comprised variations of seemingly ordinary subjects: rural landscapes, houses, barns, and outbuildings; interiors with closed and open doors, beds, bureaus, tile floors, and minutely patterned wallpaper; and color copies of illustrated advertisements for food, fuel, and matches.

Castle was a deaf artist who by most accounts never learned to read, write, or speak. In this remarkable book, author John Beardsley discusses how these limitations led to the development of an extraordinary memory, an ability that enabled him to create a large number of distinctly intelligent artworks. Beardsley follows Castle’s work as if through a series of rooms (a “Memory Palace”)—interiors, exteriors, objects, books, and words—reproducing many previously unknown works and referencing other documents made available for the first time from the James Castle Collection and Archive.

Published in association with the James Castle Collection and Archive

Drawing --- drawing [image-making] --- outsider art --- physically handicapped --- art brut --- personen met een auditieve beperking --- Castle, James

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"Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors ... The book is ideal reading for those studying landscape history, women's studies, and cultural geography".

Sociology of the family. Sociology of sexuality --- Environmental planning --- Social geography --- landscape architecture [discipline] --- human geography --- gender issues --- Women landscape architects --- Landscape architecture --- 712.037 --- 712.038 --- Landschapsarchitecten ; 20ste eeuw --- Vrouwelijke landschapsarchitecten --- Modernisme --- History --- Landschaps- en tuinarchitectuur ; 1900 - 1950 --- Landschaps- en tuinarchitectuur ; 1950 - 2000 --- Landscape architects --- Women in landscape architecture