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Frame, Janet, --- Critique et interprétation --- Authors, New Zealand --- Frame, Janet --- Criticism and interpretation. --- New Zealand authors --- 法蘭姆珍奈 --- Clutha, Janet Paterson Frame

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Certificat d'aptitude au professorat de l'enseignement du second degré. --- Littérature anglophone --- Anglais (langue) --- Oraux. --- Commentaire de texte. --- Examens --- Questions.

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This book examines the relationship between words and images in various life-writing works produced by nineteenth to twenty-first century American and British women. It addresses the politics of images in women's life writing, contending that the presence or absence of images is often strategic. Including a range of different forms of life writing, chapters draw on traditional (auto)biographies, travel narratives, memoirs, diaries, autofiction, cancer narratives, graphic memoirs, artistic installations, quilts and online performances, as life writing moves from page to screen and other media. The book explores a wide range of women who have crossed the boundary between text and image: painters who have become writers, novelists who have become painters, writers who hesitate between images and words, models who seize the camera, and artists who use the frame as a page.

Philosophy --- Art --- Literature --- filosofie --- kunst --- literatuur

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De l’analyse menée par Gérard Deléchelle sur les caractéristiques syntaxiques et énonciatives de l’exclamation, tout comme de celle proposée par Marie-Jeanne Rossignol sur le discours expansionniste de la jeune république américaine au début du 19e siècle, il ressort que l’excès définit en creux une norme. Il n’y a, nous dit Jean-Paul Régis, en matière de langage, pas d’excès en soi, tout étant affaire de cadre. L’excès se signalerait ainsi par la mise en relation d’une norme reconnue (au moins implicitement) et d’un objet qui la menace.

Communication --- Cultural studies --- excès --- norme --- langage