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A Reader on international media piracy : pirate essays
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ISBN: 9048527279 9789048527274 9789089648686 9089648682 Year: 2015 Publisher: Amsterdam : Amsterdam University Press,

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Piracy is among the most prevalent and vexing issues of the digital age. In just the past decade, it has altered the music industry beyond recognition, changed the way people watch television, and made a dent in the buisness of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American stand-up comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, as seen in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the Internet and in the markets of the Global South, Tilman Baumgärtel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the Internet Age.


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Southeast Asian independent cinema
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ISBN: 9882209114 9882209009 9789882209008 9789882209114 9789888083602 9888083600 9789888083619 9888083619 9888083600 9789888083602 Year: 2012 Publisher: Hong Kong Hong Kong University Press

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The rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film p


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(net.art) : Materialien zur Netzkunst.
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ISBN: 3933096170 Year: 1999 Publisher: Nürnberg : Verlag für moderne Kunst,

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X, Robert Adrian ; Rena Tangens & padeluun ; Idensen, Heiko ; Staehle, Wolfgang ; van der Cruijsen, Walter ; Pierce, Julianne ; Wohlgemuth, Eva ; Stelarc ; Garrin, Paul ; Vesna, Victoria ; Jodi ; Bunting, Heath ; Shulgin, Alexei ; Lialina, Olia ; Peljhan, Marko ; Cosic, Vuk ; Sifuentes, Roberto ; Gomez-Pena, Guillermo ; Fuller, Matthew ; Sollfrank, Cornelia

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Software Art - Eine Reportage über den Code / A Reportage about Source Code
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ISBN: 3932754409 Year: 2003 Publisher: Berlijn Künstlerhaus Bethanien

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Nicht nur drei Stunden intensiver Diskussionen, sondern auch sechs Präsentation und eine konzertante Programmier-performance konnte das Publikum am 4. Februar bei der internationalen Softwarekunst-konferenz des Media Arts Lab im Künstlerhaus erleben. LAN (Local Area Network) ; Cramer, Florian ; Alexander, Amy ; Harwood, Graham ; Napier, Mark ; McLean, Alex ; Karhalev, Eldar ; Khimin, Ivan ; Socialfiction ; Duff, Tom ; Ward, Adrian ; Kummerer, Christoph ; Leandre, Joan ; Levin, Golan ; Simon, John F. Jr. ; SW/OfCD Schoener-wissen ; Office for Computational Design ; Hauer, Marcus ; Pascual, Anne ; Reas, Casey ; I/O/D ; Mengbo, Feng ; Jodi ; Schmitt, Antoine ; Ward, Adrian ; Signwave


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Games : Computerspiele von KünstlerInnen.
Authors: --- --- ---
ISBN: 3936919771 Year: 2003 Publisher: Frankfurt am Main Revolver

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Michel Majerus: Installationen / Installations 92-02

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Link in bio : art after social media
Authors: --- --- --- --- --- et al.
ISBN: 3868289844 9783868289848 Year: 2020 Publisher: Heidelberg: Kehrer,

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L’utilisation des médias sociaux est devenue une activité quotidienne, dont les artistes établis et jeunes ne peuvent pas, et ne veulent pas, se passer. Ils travaillent avec. Ils sont là où se trouve leur public. Au début, c’étaient des sites Web, aujourd’hui ce sont les médias sociaux, en particulier Instagram, quand il s’agit d’art visuel. Depuis les premiers artistes du web des années 1990 et l’engouement pour l’art post-Internet, une nouvelle génération d’artistes répond désormais explicitement aux médias sociaux et à leur contenu et développe de nouvelles méthodes de travail et formes d’expression artistique innovantes. À son tour, Social Media Art s’empare de l’utopie du Net Art, avec la capacité de démocratiser le monde de l’art. Le public peut être atteint directement via Instagram, Facebook, YouTube, Tumblr et Twitter. La publication présente des installations, des photographies, des sculptures, des vidéos et des peintures.


Book
Video vortex reader : responses to Youtube.

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