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The natural beauty and diversity of birds have fascinated us for centuries. Since their first appearance in art in medieval manuscripts, birds have proved to be a popular and enduring subject for artists who have sought to capture the delicacy and majesty of these wondrous creatures. This beautiful book brings together a collection of artworks depicting birds from the Renaissance to the present. Showcasing in a range of media the forms, movement and colour of a variety of species, these works reveal how and why birds continue to captivate. Accompanied by texts which highlight interesting facts and tap into concerns around climate change and biodiversity, this book is not only a delightful visual journey through the portrayal of birds in art, but also a pertinent reminder of our impact on the natural world.
Birds --- Iconography --- Aves [class] --- animal art --- Birds in art
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Aujourd'hui, William Hogarth (1697-1764) est surtout apprécié pour sa fibre satirique, pour sa vision acerbe et parfois comique d'une société britannique rongée par la corruption et l'hypocrisie. Célèbres sont ses récits en images, qui mettent en scène des personnages imparfaits ou maudits par le destin - prostituées, libertins, alcooliques, rustres, voleurs et meurtriers - qui vivaient et mouraient en marge de la société respectable. C'était aussi un artiste novateur et ambitieux dans d'autres genres, notamment ceux du portrait, de la peinture d'histoire et de la théorie de l'art : toutes disciplines qu'il pratiqua indifféremment suivant une interprétation personnelle et originale des caractéristiques formelles de la Beauté fondée sur la notion de " variété " pour traduire " l'infinie variété " de formes et de couleurs de la Nature. Par cette polyvalence et cette aisance à passer d'un genre à un autre, Hogarth fut très tôt reconnu par ses pairs comme le plus grand peintre et graveur anglais de son temps, et sa réputation d'artiste original et inventif, capable de réagir à l'actualité sociale et culturelle, ne cessa de croître. Il contribua à défendre la peinture et la gravure britanniques pour les hisser au niveau de ce qui se faisait de mieux sur le continent. Pour bien comprendre le riche héritage légué par Hogarth, le présent ouvrage, catalogue d'une exposition organisée par la Tate Britain et le musée du Louvre, s'attache à retracer sa vie et carrière, à évoquer la diversité des cultures, artistiques dont il se réclame et à décrire l'ambiance cosmopolite londonienne dans laquelle il vécut. (Quatrième de couverture)
Hogarth, William --- Painting, British --- Engraving, British --- Peinture britannique --- Gravure britannique --- Exhibitions --- Expositions --- Hogarth, William, --- 76 HOGARTH, WILLIAM --- Grafische kunsten. Grafiek. Prentkunst--HOGARTH, WILLIAM --- 76 HOGARTH, WILLIAM Grafische kunsten. Grafiek. Prentkunst--HOGARTH, WILLIAM --- Khogart, Uilʹi︠a︡m, --- Khogart, --- Hogarth, Guglielmo, --- Exhibitions. --- Hogarth, William, - 1697-1764 - Exhibitions --- Hogarth, William, - 1697-1764 --- karikaturen --- beeldverhalen
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"Together with Holbein, Anthony van Dyck (1599-1641) is one of the most important names in British pre-18th century art. Born in Antwerp he was a precocious talent, rising swiftly to become the chief assistant to Peter Paul Rubens, then Northern Europe's most prominent painter. His importance to British art cannot be overstated; during the turbulent years of the reign of Charles I, he single-handedly reinvented portrait painting, leaving behind a legacy that would influence later generations." "Van Dyck first came to Britain in 1620 to work for James I. Between 1621 and 1627 he worked in Italy, adding to his clientele of wealthy patrons. Charles I recognised in van Dyck the potential to be the perfect creator of the royal image. The artist returned to London in April 1632 and was almost immediately knighted and provided with an enviable property and pension, becoming the chief painter of the court. His portraits of the royal family and courtiers, imbued with an understated authority and relaxed elegance, were an instant success. His pictures of Charles especially seemed to represent the king as both a powerful sovereign and 'nature's gentleman'." "The authors not only explore van Dyck's years in England, but also his enduring influence on British art and culture in the centuries following his death, reflected in the way 18th and 19th century British sitters wanted their portraits to convey the gravitas and sophistication the earlier painter had mastered so well. Extensively illustrated, this is the most thorough examination ever published of van Dyck's English sojourn and the influence it had on the cultural life of the nation."--Jacket.
75.07 --- (069) --- Schilderkunst 17de eeuw Antoon Van Dyck --- Van Dyck, Antoon 1599-1641 (°Antwerpen, België) --- Schilderkunst portretten --- Zelfportretten --- Van Dyck, Anthony in Groot-Brittannië verblijf en werk --- Tentoonstellingscatalogi Londen Tate Britain --- 759.046 --- Schilderkunst schilders --- (Musea. Collecties) --- Arts Painting 17th Century --- Exhibitions --- Schilderkunst ; 17de eeuw ; Antoon Van Dyck --- Schilderkunst ; portretten --- Van Dyck, Anthony ; in Groot-Brittannië ; verblijf en werk --- Tentoonstellingscatalogi ; Londen ; Tate Britain --- Schilderkunst ; schilders --- Portrait painting, British --- British portrait painting --- Van Dyck, Anthony, --- Influence --- portretschilderkunst --- portraits --- painting [image-making] --- Dyck, van, Anthony --- geschiedenis --- Dyck, Anthony van --- 17de eeuw --- Groot-Brittannië --- Art --- Nederlandse kunstenaars in Engeland --- 21.02 history of painting. --- Barockkonst --- Flamländsk målarkonst --- Influence (Literary, artistic, etc.). --- Målare (bildkonstnärer) --- Painting, Belgian --- Painting, Belgian. --- Peinture belge --- Portretten. --- Receptie. --- Schilderkunst. --- Historia --- Dyck, Anton van. --- Van Dyck, Antoon, --- 1600-1699. --- England. --- Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland. --- Van Dyck, Anthony --- van Dyck, Anthony --- invloed van Vlaamse school --- geschiedenis. --- van Dyck, Anthony. --- 17de eeuw. --- Groot-Brittannië.
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Pre-Raphaelite --- Art styles --- Burne-Jones, Edward Coley --- Burne-Jones, Edward Coley, --- Pre-Raphaelites --- Pre-Raphaelitism --- Painting, English --- Drawing, English --- Prints, English --- Burne-Jones, Edward Coley.
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Hogarth, William, --- Hogarth. --- Exhibitions.
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prerafaëlieten. --- landschappen. --- 19de eeuw. --- Groot-Brittannië.
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