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Roman history --- Classical Latin literature --- History as a science --- Thematology --- Literary rhetorics --- anno 1-99 --- anno 100-199 --- anno 200-299 --- Rome --- Communication --- Dictators in literature. --- Emperors in literature. --- Latin literature --- Literature and history --- Rhetoric, Ancient. --- Role playing in literature. --- Theater audiences --- Theater --- History and criticism. --- History --- Historiography. --- -Dictators in literature --- Emperors in literature --- -Literature and history --- -Rhetoric, Ancient --- Role playing in literature --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Audiences, Theater --- Theatergoers --- Theater attendance --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- History and literature --- History and poetry --- Poetry and history --- Roman literature --- Classical literature --- Classical philology --- Latin philology --- Communication, Primitive --- Mass communication --- Sociology --- History and criticism --- -Audiences --- Audiences --- Rhetoric --- -Historiography. --- -History and criticism --- -Rome --- Ancient rhetoric --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Dictators in literature --- Rhetoric, Ancient --- Byzantine Empire --- Rome (Italy) --- Empire, 30 B.C.-284 A.D. --- Rome - History - Empire, 30 B.C.-284 A.D. - Historiography.
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Reflection (Philosophy) --- Self-knowledge, Theory of --- Sex --- Philosophy, Ancient. --- Réflexion (Philosophie) --- Connaissance de soi --- Sexualité --- Philosophie ancienne --- History. --- Histoire --- Réflexion (Philosophie) --- Sexualité --- Philosophy, Ancient --- Introspection (Theory of knowledge) --- Knowledge, Reflexive --- Knowledge of self, Theory of --- Reflection (Theory of knowledge) --- Reflexive knowledge --- Knowledge, Theory of --- Personality (Theory of knowledge) --- Self (Philosophy) --- Philosophy --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- History
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The Roman poet and satirist Persius (34–62 CE) was unique among his peers for lampooning literary and social conventions from a distinctly Stoic point of view. A curious amalgam of mocking wit and philosophy, his Satires are rife with violent metaphors and unpleasant imagery and show little concern for the reader's enjoyment or understanding. In Persius, Shadi Bartsch explores this Stoic framework and argues that Persius sets his own bizarre metaphors of food, digestion, and sexuality against more appealing imagery to show that the latter—and the poetry containing it—harms rather than helps its audience. Ultimately, he encourages us to abandon metaphor altogether in favor of the non-emotive abstract truths of Stoic philosophy, to live in a world where neither alluring poetry, nor rich food, nor sexual charm play a role in philosophical teaching.
Food in literature. --- Persius --- Themes, motives. --- Philosophy. --- Language. --- Persius -- Language. --- Persius -- Philosophy. --- Persius -- Themes, motives. --- Satire, Latin -- History and criticism. --- Satire, Latin -- Themes, motives. --- Food in literature --- Satire, Latin --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Latin satire --- Latin wit and humor --- History and criticism --- Themes, motives --- Persjusz Flakkus, Aulus --- Perse --- Persius Flaccus, Aulus --- Flaccus, Aulus Persius --- Persius, Paulus Flaccus --- Persio --- Aulus Persius Flaccus Volateris --- E-books --- Persius -- Language --- Persius -- Philosophy --- Persius -- Themes, motives --- Satire, Latin -- History and criticism --- Satire, Latin -- Themes, motives
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Using a reader-oriented approach, Shadi Bartsch reconsiders the role of detailed descriptive accounts in the ancient Greek novels of Heliodorus and Achilles Tatius and in so doing offers a new view of the genre itself. Bartsch demonstrates that these passages, often misunderstood as mere ornamental devices, form in fact an integral part of the narrative proper, working to activate the audience's awareness of the play of meaning in the story. As the crucial elements in the evolution of a relationship in which the author arouses and then undermines the expectations of his readership, these passages provide the key to a better understanding and interpretation of these two most sophisticated of the ancient Greek romances.In many works of the Second Sophistic, descriptions of visual conveyors of meaning--artworks and dreams--signaled the presence of a deeper meaning. This meaning was revealed in the texts themselves through an interpretation furnished by the author. The two novels at hand, however, manipulate this convention of hermeneutic description by playing upon their readers' expectations and luring them into the trap of incorrect exegesis. Employed for different ends in the context of each work, this process has similar implications in both for the relationship between reader and author as it arises out of the former's involvement with the text.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Description (Rhetoric) --- Greek fiction --- Reader-response criticism --- Rhetoric, Ancient. --- 875-31 --- 875 ACHILLES TATIUS --- 875 HELIODORUS EMESENUS --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- 875-31 Griekse literatuur: roman --- Griekse literatuur: roman --- 875 HELIODORUS EMESENUS Griekse literatuur--HELIODORUS EMESENUS --- Griekse literatuur--HELIODORUS EMESENUS --- 875 ACHILLES TATIUS Griekse literatuur--ACHILLES TATIUS --- Griekse literatuur--ACHILLES TATIUS --- History --- History and criticism --- Rhetoric --- Achilles Tatius. --- Heliodorus, --- Reader-response criticism. --- History and criticism. --- Romances [Greek ] --- Achilles Tatius --- Description (Literature) --- Rhetoric [Ancient ] --- Rhetoric, Ancient --- Achilles Tatius. -- Leucippe and Clitophon. --- Description (Rhetoric) -- History -- To 1500. --- Greek fiction -- History and criticism. --- Heliodorus, -- of Emesa. -- Aethiopica.
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Is Lucan's epic Civil War an example of ideological poetry, or does it proclaim the meaninglessness of ideology? The author finds in the paradoxes of Lucan's poetry both a political irony that responds to the need for, yet suspicion of, ideology.
Epic poetry, Latin --- History and criticism. --- Lucan, --- Pypłacz, Joanna. --- Rome --- History --- History and criticism --- Literature and the war. --- War in literature --- Pharsalus, Battle of, Farsala, Greece, 48 B.C., in literature --- Poésie épique latine --- Guerre dans la littérature --- Bataille de Pharsale, Pharsale, Grèce, 48 av. J.-C., dans la littérature --- Histoire et critique --- Literature and the war --- Histoire --- Littérature et guerre --- Epic poetry, Latin - History and criticism.
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Do the ancient Greek classics of politics and philosophy arouse interest among the Chinese? The answer, according to Shadi Bartsch, is a resounding yes. Works by Plato, Aristotle, Thucydides, and to a lesser extent Cicero and Vergil, generally unknown to China during the millennia-long dynastic system, have shown themselves "good to think with" in contemporary China, both at moments of crisis and revolution, and at moments of increasing confidence and nationalism. Even as classical studies wane in Europe and America, the Chinese believe they are indispensable to an understanding of Western culture. First treated as relevant to China's problems of modernization, now more likely to be invoked in discussions of what the Chinese feel is the loss of a moral compass of contemporary Europe and the United States, the Western classics are treated as more relevant than the west has ever treated the Confucian tradition. In this book, based on her 2018 Martin Lectures given annually at Oberlin college, Shadi Bartsch aims to tell the long history of reception of classics in China. It follows an arc in time from the mid-16th century, when the Jesuits first brought classical texts to China, to the events of the tumultuous 20th century-a time of reform, revolution, and repression-and the present day. Although the book is rooted in this history, its major concern is the contemporary situation in China. Bartsch reflects on Chinese intellectual responses to a number of different "classical" topics: Athenian democracy, Plato's "noble lie," the western emphasis on Socratic rationality, the use of Leo Strauss's non-democratic interpretation of these texts, and the struggle to reappropriate the heritage of the West in favor of China's current form of government. These studies help us to see ourselves as "other," reflected in the eyes of a different culture that believes in the value of all the ancients, European and Chinese, but that is decidedly more skeptical toward the modern west"-- Provided by publisher."The surprising story of how Greek classics are being pressed into use in contemporary China to support the regime's political agenda. As improbable as it may sound, an illuminating way to understand today's China and how it views the West is to look at the astonishing ways Chinese intellectuals are interpreting-or is it misinterpreting?-the Greek classics. In Plato Goes to China, Shadi Bartsch offers a provocative look at Chinese politics and ideology by exploring Chinese readings of Plato, Aristotle, Thucydides, and other ancient writers. She shows how Chinese thinkers have dramatically recast the Greek classics to support China's political agenda, diagnose the ills of the West, and assert the superiority of China's own Confucian classical tradition.In a lively account that ranges from the Jesuits to Xi Jinping, Bartsch traces how the fortunes of the Greek classics have changed in China since the seventeenth century. Before the Tiananmen Square crackdown, the Chinese typically read Greek philosophy and political theory in order to promote democratic reform or discover the secrets of the success of Western democracy and science. No longer. Today, many Chinese intellectuals use these texts to critique concepts such as democracy, citizenship, and rationality. Plato's "Noble Lie," in which citizens are kept in their castes through deception, is lauded; Aristotle's Politics is seen as civic brainwashing; and Thucydides' criticism of Athenian democracy is applied to modern America.What do antiquity's "dead white men" have left to teach? By uncovering the unusual ways Chinese thinkers are answering that question, Plato Goes to China opens a surprising new window on China today.
Nationalism --- Political science --- Philosophy, Ancient --- PHILOSOPHY / History & Surveys / Ancient & Classical --- POLITICAL SCIENCE / World / Asian --- Philosophy. --- Influence. --- Plato --- China --- Politics and government. --- Influence (Literary, artistic, etc.). --- Nationalism. --- PHILOSOPHY / History & Surveys / Ancient & Classical. --- POLITICAL SCIENCE / World / Asian. --- Philosophy --- Plato. --- China. --- Philosophy / history & surveys / ancient & classical. --- Chine
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"The surprising story of how Greek classics are being pressed into use in contemporary China to support the regime's political agenda. As improbable as it may sound, an illuminating way to understand today's China and how it views the West is to look at the astonishing ways Chinese intellectuals are interpreting-or is it misinterpreting?-the Greek classics. In Plato Goes to China, Shadi Bartsch offers a provocative look at Chinese politics and ideology by exploring Chinese readings of Plato, Aristotle, Thucydides, and other ancient writers. She shows how Chinese thinkers have dramatically recast the Greek classics to support China's political agenda, diagnose the ills of the West, and assert the superiority of China's own Confucian classical tradition.In a lively account that ranges from the Jesuits to Xi Jinping, Bartsch traces how the fortunes of the Greek classics have changed in China since the seventeenth century. Before the Tiananmen Square crackdown, the Chinese typically read Greek philosophy and political theory in order to promote democratic reform or discover the secrets of the success of Western democracy and science. No longer. Today, many Chinese intellectuals use these texts to critique concepts such as democracy, citizenship, and rationality. Plato's "Noble Lie," in which citizens are kept in their castes through deception, is lauded; Aristotle's Politics is seen as civic brainwashing; and Thucydides' criticism of Athenian democracy is applied to modern America.What do antiquity's "dead white men" have left to teach? By uncovering the unusual ways Chinese thinkers are answering that question, Plato Goes to China opens a surprising new window on China today"-- "Do the ancient Greek classics of politics and philosophy arouse interest among the Chinese? The answer, according to Shadi Bartsch, is a resounding yes. Works by Plato, Aristotle, Thucydides, and to a lesser extent Cicero and Vergil, generally unknown to China during the millennia-long dynastic system, have shown themselves "good to think with" in contemporary China, both at moments of crisis and revolution, and at moments of increasing confidence and nationalism. Even as classical studies wane in Europe and America, the Chinese believe they are indispensable to an understanding of Western culture. First treated as relevant to China's problems of modernization, now more likely to be invoked in discussions of what the Chinese feel is the loss of a moral compass of contemporary Europe and the United States, the Western classics are treated as more relevant than the west has ever treated the Confucian tradition. In this book, based on her 2018 Martin Lectures given annually at Oberlin college, Shadi Bartsch aims to tell the long history of reception of classics in China. It follows an arc in time from the mid-16th century, when the Jesuits first brought classical texts to China, to the events of the tumultuous 20th century-a time of reform, revolution, and repression-and the present day. Although the book is rooted in this history, its major concern is the contemporary situation in China. Bartsch reflects on Chinese intellectual responses to a number of different "classical" topics: Athenian democracy, Plato's "noble lie," the western emphasis on Socratic rationality, the use of Leo Strauss's non-democratic interpretation of these texts, and the struggle to reappropriate the heritage of the West in favor of China's current form of government. These studies help us to see ourselves as "other," reflected in the eyes of a different culture that believes in the value of all the ancients, European and Chinese, but that is decidedly more skeptical toward the modern west"--
Philosophy, Ancient. --- Nationalism --- Plato --- Influence. --- China --- Politics and government. --- Ancient China. --- Ancient Greece. --- Business card. --- Cape Ann. --- Capitalism. --- Carl Schmitt. --- Central Committee of the Communist Party of China. --- Chen Duxiu. --- China. --- China–United States relations. --- Chinese Academy of Sciences. --- Chinese Academy of Social Sciences. --- Chinese Buddhism. --- Chinese New Left. --- Chinese People's Association for Friendship with Foreign Countries. --- Chinese People's Political Consultative Conference. --- Chinese Wikipedia. --- Chinese characters. --- Chinese culture. --- Chinese dictionary. --- Chinese economic reform. --- Chinese literature. --- Chinese mythology. --- Chinese nationalism. --- Chinese painting. --- Chinese people. --- Chinese philosophy. --- Christian mortalism. --- City-state. --- Classical Chinese. --- Classical antiquity. --- Communist Party of China. --- Communist state. --- Conditions (magazine). --- Confucianism. --- Confucius. --- Dunhua. --- Economy. --- Emperor of China. --- General Office of the Communist Party of China. --- General Secretary of the Communist Party of China. --- Government of China. --- Hainan University. --- Han Feizi. --- Hu Jintao. --- Hu Yaobang. --- Hui Shi. --- Jean-Jacques Rousseau. --- Jian. --- Jilin University. --- Legalism (Chinese philosophy). --- Leo Strauss. --- Liang Qichao. --- Liu Xiaobo. --- Mainland China. --- Mainland Chinese. --- Mandarin Chinese. --- Mao Yuanxin. --- Mencius. --- Ming dynasty. --- Modern China (journal). --- Mou Zongsan. --- Nanjing University. --- Neo-Confucianism. --- New Confucianism. --- Nishi Amane. --- Peking University. --- Peng (mythology). --- Philosopher king. --- Philosopher. --- Philosophy. --- Platonic realism. --- Pope Clement XI. --- Port of Piraeus. --- President of the People's Republic of China. --- President of the Republic of China. --- Qianlong Emperor. --- Qin Shi Huang. --- Rationality. --- Republic (Plato). --- Shandong University. --- Shandong. --- Shangdi. --- The Berkshires. --- The Mandarins. --- Tiananmen Square. --- Tianxia. --- Wen Jiabao. --- Western culture. --- Western philosophy. --- Written Chinese. --- Wu Enyu. --- Xi Jinping. --- Xunzi (book). --- Yale College. --- Zhang Zhidong. --- Zhao Ziyang. --- Zheng (state). --- Zhou dynasty. --- Zhuangzi (book).
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The Roman statesman, philosopher and playwright Lucius Annaeus Seneca dramatically influenced the progression of Western thought. His works have had an unparalleled impact on the development of ethical theory, shaping a code of behavior for dealing with tyranny in his own age that endures today. This Companion thoroughly examines the complete Senecan corpus, with special emphasis on the aspects of his writings that have challenged interpretation. The authors place Seneca in the context of the ancient world and trace his impressive legacy in literature, art, religion, and politics from Neronian Rome to the early modern period. Through critical discussion of the recent proliferation of Senecan studies, this volume compellingly illustrates how the perception of Seneca and his particular type of Stoicism has evolved over time. It provides a comprehensive overview that will benefit students and scholars in classics, comparative literature, history, philosophy and political theory, as well as general readers.
Seneca [Younger] --- Literary collections / Ancient, Classical & Medieval --- Seneca, Lucius Annaeus, --- History and criticism --- Sénèque, --- Critique et interprétation --- Sénèque --- Criticism and interpretation. --- Critique et interprétation. --- Seneca, Lucius Annaeus, - approximately 4 B.C.-65 A.D.
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