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Ovid --- Epistolary poetry, Latin --- Didactic poetry, Latin --- Elegiac poetry, Latin --- Mythology, classical, in literature --- History and criticism --- Ovid, --- Criticism and interpretation --- Rome --- In literature --- Love in literature --- Mythology, Classical, in literature --- Nasó, P. Ovidi, --- Naso, Publius Ovidius, --- Nazon, --- Ouidio, --- Ovide, --- Ovidi, --- Ovidi Nasó, P., --- Ovidiĭ, --- Ovidiĭ Nazon, Publiĭ, --- Ovidio, --- Ovidio Nasón, P., --- Ovidio Nasone, Publio, --- Ovidios, --- Ovidiu, --- Ovidius Naso, P., --- Ovidius Naso, Publius, --- Owidiusz, --- P. Ovidius Naso, --- Publiĭ Ovidiĭ Nazon, --- Publio Ovidio Nasone, --- Ūvīd, --- אוביד, --- Criticism and interpretation. --- In literature. --- Epistolary poetry, Latin - History and criticism --- Didactic poetry, Latin - History and criticism --- Elegiac poetry, Latin - History and criticism --- Ovide --- Ovid, - 43 BC-17 AD or 18 AD - Criticism and interpretation --- Rome - In literature --- Ovid, - 43 BC-17 AD or 18 AD
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Classical drama --- Appreciation --- Translations --- History and criticism
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Elegiac poetry, Latin --- Love poetry, Latin --- Man-woman relationships --- Translations into English --- Poetry --- -Elegiac poetry, Latin --- -Man-woman relationships --- -Latin love poetry --- Latin poetry --- Female-male relationships --- Male-female relationships --- Men --- Men-women relationships --- Relationships, Man-woman --- Woman-man relationships --- Women --- Women-men relationships --- Interpersonal relations --- Mate selection --- Latin elegiac poetry --- Relations with women --- Relations with men --- Translations into English. --- Poetry. --- -Translations into English --- -Female-male relationships --- Latin love poetry --- Elegiac poetry, Latin - Translations into English --- Love poetry, Latin - Translations into English --- Man-woman relationships - Rome - Poetry
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Terence's Eunuchus (The Eunuch) was his most successful play in his lifetime but has been surprisingly neglected by modern commentators. In this first ever full-scale commentary in English, Professor Barsby provides a thorough examination of the play in terms of its literary and dramatic qualities, its staging, and its relationship to the two plays of Menander's on which it is based. The commentary includes scene-by-scene discussions which bring out the development of character and plot, and the notes offer a close study of Terence's language in comparison with that of his predecessor Plautus. A full introduction puts Terence in his historical and literary context, and there are two appendices, one on metre and the other giving text and translation of the remains of Menander's Eunouchos and Kolax.
Latin drama (Comedy) --- Latin drama --- Arts and Humanities --- History
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