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Textiles in Indian Ocean Societies considers the importance of trade, and the transformation of the meaning of objects has the move between different cultures. It also addresses issues of gender, ethnic and religious identity, and economic status. The book covers a broad geographic range from East Africa to Southeast Asia, and references a number of disciplines such as anthropology, art history and history.This volume is timely, as both the social sciences and historical studies have developed a new interest in material culture. Edited by a foremost expert in the region, it will a
Textile fabrics --- Textile design --- Decoration and ornament --- Design --- Textile industry --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Decorative arts --- Dry-goods --- Weaving --- Textile fibers --- Social aspects --- Economic aspects --- Indian Ocean Region --- Indian Ocean Rim countries --- Commerce
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Applied arts. Arts and crafts --- block printing [relief printing process] --- textile materials --- India --- Cotton fabrics --- Cotton textile industry --- Textile printing --- Printing, Textile --- Printing --- Textile industry --- Cotton textiles --- Textile fabrics --- Private collections --- Newberry, Percy E. --- Art collections. --- Ashmolean Museum. --- Newberry, Percy E.,
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Applied arts. Arts and crafts --- block printing [relief printing process] --- textile materials --- India
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History of civilization --- Sociology of the family. Sociology of sexuality --- Ethnology. Cultural anthropology --- Semiotics --- Clothing and dress --- Vêtements --- Sex differences --- Cross-cultural studies --- Social aspects --- Différences entre sexes --- Etudes transculturelles --- Aspect social
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#SBIB:309H53 --- #SBIB:316.346H00 --- Niet-verbale communicatie --- Man-vrouw-studies, gender: algemeen --- Clothing and dress --- Sex differences --- Cross-cultural studies. --- Social aspects --- Ethnology. Cultural anthropology --- Sociology of the family. Sociology of sexuality --- History of civilization --- Gender --- Fashion --- Appearance --- Book --- Anthropology
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Dance’s Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loïe Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.
Sociology of culture --- Didactics of the arts --- Film --- Theatre management --- Theatrical science --- Recreation. Games. Sports. Corp. expression --- performances (kunst) --- dansen --- theater --- cultuur --- dansexpressie --- Dance in motion pictures, television, etc. --- 798.79 --- dans en film --- Dance in television --- Dance on television --- Dancing in motion pictures, television, etc. --- Dancing in moving-pictures, television, etc. --- Motion pictures --- Television --- film, overige onderwerpen --- Dance in motion pictures, television, etc --- Dance. --- Performing arts. --- Motion picture acting. --- Performing Arts. --- Screen Performance. --- Film acting --- Moving-picture acting --- Acting --- Show business --- Arts --- Performance art --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics
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Dance’s Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loïe Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.
Sociology of culture --- Didactics of the arts --- Film --- Theatre management --- Theatrical science --- Recreation. Games. Sports. Corp. expression --- performances (kunst) --- dansen --- theater --- cultuur --- dansexpressie
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