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Book
Queer British art : 1861-1967
Authors: --- --- --- --- --- et al.
ISBN: 1849764522 9781849764520 Year: 2017 Publisher: Londres: Tate publishing,

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Abstract

This publication focuses exclusively on British queer art. It features sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. It features works by major artists such as Simeon Solomon, John Singer Sargent, Clare Atwood, Ethel Sands, Duncan Grant, John Minton, Angus McBean, David Hockney and Francis Bacon, alongside less well-known material, such as ephemera, personal photographs, film and magazines

Keywords

kunst --- 7.035/036 --- gender studies --- homoseksualiteit --- negentiende eeuw --- tekenkunst --- fotografie --- schilderkunst --- twintigste eeuw --- Groot-Brittannië --- Exhibitions --- fin de siècle --- gender --- erotiek --- Bloomsbury Group --- theatraliteit --- 1861 - 1967 --- 19de eeuw --- 20ste eeuw --- 7.037(410) --- 7.041 --- Simeon Solomon (1840-1905, Londen, Groot-Brittannië) --- Pre-Raphaelites --- Frederic Leighton (1830-1896) --- Henry Scott Tuke (1858-1929) --- Aubrey Beardsley (1872-1898) --- Cecil Beaton (1904-1980) --- Angus McBean (1904-1990) --- Duncan Grant (1885-1978) --- Glyn Warren Philpot (1884-1937) --- Gluck (1895-1978) --- Dora Carrington (1893-1932) --- Claude Cahun (geb. Lucy Schwob) 1894-1954 --- Keith Vaughan --- Francis Bacon (1909-1992) --- David Hockney (1937) --- Kunstgeschiedenis ; 1900 - 1950 ; Groot-Brittannië --- Iconografie ; de mens, portretten --- Solomon, Simeon --- Prerafaëlitische kunst ; Groot-Brittannië --- Leighton, Frederic --- Tuke, Henry Scott --- Beardsley, Aubrey --- Beaton, Cecil --- McBean, Angus --- Grant, Duncan --- Philpot, Glyn Warren --- Gluck (Hannah Gluckstein) --- Carrington, Dora --- Cahun, Claude (geb. Lucy Schwob) --- Vaughan, Keith --- Bacon, Francis --- Hockney, David --- Gender Studies --- Homosexuality and art --- Gay artists --- Homosexuality in art. --- Homosexualité et art --- Artistes homosexuels --- Homosexualité --- Identité sexuelle --- Théorie queer --- History. --- Histoire. --- Dans l'art. --- Homosexualité --- Identité sexuelle --- Homosexuality in art --- Art, British --- homoseksualiteit. --- fin de siècle. --- gender. --- erotiek. --- Bloomsbury Group. --- theatraliteit. --- 1861 - 1967. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië. --- queer --- ART --- Art and Design. --- Art britannique --- Art, British. --- Gay artists. --- Gay/Lesbian Interest. --- Homosexuality and art. --- Homosexualität. --- Homosexualité dans l'art --- Homosexualité et art --- Kunst. --- LGBTQ+ artists. --- LGBTQ+ arts. --- Subjects & Themes --- General. --- Histoire --- History --- 1800-1999. --- Gro�britannien. --- Homosexualité et art -- Grande-Bretagne --- Artistes homosexuels -- Grande-Bretagne --- Sexualité --- Queer --- Théorie queer --- Atwood, Clare


Book
Aubrey Beardsley
Authors: --- --- --- --- --- et al.
ISBN: 9782354333133 9782711875269 Year: 2020 Publisher: Paris : Établissement public des musées d'Orsay et de l'Orangerie : Réunion des musées nationaux - Grand-Palais,

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Abstract

Ce catalogue présente une centaine de dessins du graveur et illustrateur britannique, représentatifs de son univers élégant, érotique et parfois pervers ainsi que de ses évolutions stylistiques et de ses influences esthétiques, des préraphaélites au japonisme.


Book
Now you see us : women artists in Britain, 1520-1920

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"From Tudor times to the First World War, artists such as Mary Beale (1633-99), Angelica Kauffman (1741-1807), Elizabeth Butler (1846-1933) and Laura Knight (1877-1970) paved a new artistic path for generations of women. Spanning four hundreds years and featuring over a hundred and fifty works, this book dismantles stereotypes surrounding women artists in history, who are often thought of as amateurs. Determined to succeed and refusing to be boxed in, they dared to paint subjects considered the territory of male artists: history pieces, battle scenes and the nude. They challenged what it meant to be a working woman of the time by going against society's expectations, taking part in public exhibitions and having commercial careers as artists. New texts shed light on how these artists championed equal access to art training and academy membership, breaking boundaries and overcoming many obstacles to shape their identities as women in the art world" --Back cover.

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