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Altenberg, Peter --- Authors, Austrian --- Ecrivains autrichiens --- Biography --- Biographie --- Biographies --- Altenberg, Peter, --- Vienna (Austria) --- Vienne (Autriche) --- Intellectual life --- Vie intellectuelle
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The ancient science of harmonics investigates the arrangements of pitched sounds which form the basis of musical melody, and the principles which govern them. It was the most important branch of Greek musical theory, studied by philosophers, mathematicians and astronomers as well as by musical specialists. This 2007 book examines its development during the period when its central ideas and rival schools of thought were established, laying the foundations for the speculations of later antiquity, the Middle Ages and the Renaissance. It concentrates particularly on the theorists' methods and purposes and the controversies that their various approaches to the subject provoked. It also seeks to locate the discipline within the broader cultural environment of the period; and it investigates, sometimes with surprising results, the ways in which the theorists' work draws on and in some cases influences that of philosophers and other intellectuals.
780.901 --- Arts Music Ancient times to 450 A.D. --- Music --- Musical intervals and scales --- Music theory --- Musique --- Théorie musicale --- Acoustics and physics. --- History --- Acoustique et physique --- Intervalles et gammes --- Histoire --- 78.22 --- 78.63 --- Musical theory --- Theory of music --- Intervals (Music) --- Modes, Musical --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Musical temperament --- Musical acoustics --- Physics --- Sound --- Monochord --- Theory --- Modes --- Arts and Humanities
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This second volume of Greek Musical Writings contains important texts on harmonic and acoustic theory, illustrating the progress of these sciences from their beginnings in the sixth century BC over the subsequent thousand years. Writers represented include Philolaus, Plato, Aristotle, Theophrastus, Aristoxenus, Ptolemy, Aristides, Archytas, and Quintilianus. All the Greek texts are newly translated by the editor. Some replace inadequate existing translations; other significant portions of the book include much that is essential for an understanding of medieval and Renaissance musicology. Dr Barker provides detailed and authoritative commentary and annotations to all the texts. Each section is prefaced by an introductory essay and some of the more complex issues are discussed further in appendices.
Music, Greek and Roman --- Musique grecque antique --- Music, Greek and Roman. --- Music --- History and criticism --- Music theory --- History --- Théorie musicale --- Sources --- Histoire --- Music [Greek and Roman ] --- To 500 --- 78.22 --- 78.60.1 --- 78.86.1 --- 521 --- Muziekgeschiedenis (Oudheid - Renaissance) --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Greek music --- Music, Greek (Ancient) --- Music, Roman --- Roman music --- Oudheid --- Griekenland --- Harmonie --- Akoestiek
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The science called 'harmonics' was one of the major intellectual enterprises of Greek antiquity. Ptolemy's treatise seeks to invest it with new scientific rigour; its consistently sophisticated procedural self-awareness marks it as a key text in the history of science. This book is a sustained methodological exploration of Ptolemy's project. After an analysis of his explicit pronouncements on the science's aims and the methods appropriate to it, it examines Ptolemy's conduct of his investigation in detail, concluding that despite occasional uncertainties, the declared procedure is followed with remarkable fidelity. Ptolemy pursues tenaciously his novel objective of integrating closely the project's theoretical and empirical phases and shows astonishing mastery of the concept, the design and the conduct of controlled experimental tests. By opening up this neglected text to historians of science, the book aims to provide a point of departure for wider studies of Greek scientific method.
Music theory --- Science, Ancient. --- Théorie musicale --- Sciences anciennes --- History --- Histoire --- Ptolemy, --- 78.63 --- Ancient science --- Science, Primitive --- Science --- Music --- Theory --- Ptolemaeus, Claudius.
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The literary flair of fin-de-siècle Vienna lived on after 1918 in the First Austrian Republic even as writers grappled with the consequences of a lost war and the vanished Habsburg Empire. Reacting to historical and political issues often distinct from those in Weimar Germany, Austrian literary culture, though frequently associated with Jewish writers deeply attached to the concept of an independent Austria, reflected the republic's ever-deepening antisemitism and the growing clamor for political union with Germany. Spanning the two momentous decades between the fall of the empire in 1918 and the Nazi 'Anschluss' in 1938, this book explores work by canonical writers such as Schnitzler, Kraus, Roth, and Werfel and by now-forgotten figures such as the pacifist Andreas Latzko, the arch-Nazi Bruno Brehm, and the fervently Jewish Soma Morgenstern. Also taken into account are Ernst Weiss's 'Hitler' novel 'Der Augenzeuge' and 1930s works about First Republic Austria by the German Communist writers Anna Seghers and Friedrich Wolf. Andrew Barker's book paints a varied and vivid picture of one of the most challenging and underresearched periods in twentieth-century cultural history. Andrew Barker is Emeritus Professor of Austrian Studies at the University of Edinburgh, Scotland.
Austrian literature --- History and criticism. --- Andreas Latzko. --- Antisemitism. --- Bruno Brehm. --- Canonical writers. --- Cultural history. --- Ernst Weiss. --- First Republic Austria. --- Habsburg Empire. --- Hitler. --- Interwar Austrian republic. --- Kraus. --- Political union with Germany. --- Roth. --- Schnitzler. --- Soma Morgenstern. --- Vienna. --- Werfel.
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eebo-0113
Pirates --- Ward, John, --- Danser, Simon de.
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