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Iconography --- Art --- Sculpture --- Painting --- books --- libraries [rooms] --- painting [image-making] --- heads [representations] --- sculpting --- iron [metal] --- wood [plant material] --- Valdés, Manolo --- Spain
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Iconography --- Art --- Sculpture --- art [discipline] --- cities --- sculpting --- aluminum [metal] --- Navarro, Miguel --- Spain
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Sculpture --- sculpting --- Ruysscher, De, Kim --- Valdés, Manolo
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Drawing --- wood [plant material] --- drawing [image-making] --- iron [metal] --- Art --- Chillida, Eduardo --- anno 1900-1999 --- Spain --- 20e eeuw --- 727.8 --- 737.8 --- beeldhouwkunst --- schilderkunst --- beeldhouwkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk
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Iconography --- Art --- Sculpture --- Drawing --- relief [sculpture techniques] --- drawing [image-making] --- sculpting --- torsos [animal components] --- women [female humans] --- Maillol, Aristide --- France --- Sculpture, French --- Drawing, French --- Artists --- kunst --- beeldhouwkunst --- 73.071 MAILLOL --- Maillol Aristide --- Frankrijk --- negentiende eeuw --- twintigste eeuw --- French sculpture --- Maillol, Aristide, --- Maillol, Aristide Joseph Bonaventure --- Maiyue, Alisidide
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Iconography --- Art --- Sculpture --- abstraction --- steel [alloy] --- sculpting --- Caro, Anthony --- anno 1900-1999 --- anno 2000-2099 --- Great Britain
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Philip Guston and the Poets explores the artists oeuvre in relation to critical literary interpretation. The book draws parallels between humanist themes reflected in both Gustons paintings and drawings as well as in the language and prose discerned in five of the 20th centurys most prominent literary figures: D.H. Lawrence, W.B. Yeats, Wallace Stevens, Eugenio Montale and T.S. Eliot. The enormous influence that Italy itself had upon Guston and his work is also examined. Spanning a 36-year period, Philip Guston and the Poets features approximately 60 major paintings and 25 prominent drawings dating from 1944 through 1980, the last of which were created in the final year of Gustons life. The monograph also includes an extensive essay from Kosme de Barañano, an internationally respected art historian and Guston scholar. A contemporary of Jackson Pollock and Willem de Kooning, Philip Guston (191380) first came to fame as an Abstract Expressionist. He began reintroducing figurative elements―clumsy hands, cigarettes, light bulbs―into his work in the late 1960s. These late paintings were first exhibited, to savage critical reception, in 1970.
Painting --- poetry --- kunst en poëzie --- schilderkunst --- Guston, Philippe --- United States of America
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