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grape [berry fruit] --- History --- symbolism [artistic concept] --- Art --- Narcissus --- Zeuxis --- Grapes in art --- Symbolism in art --- Visual perception --- Vigne dans l'art --- Symbolisme dans l'art --- Perception visuelle --- Themes, motives --- Thèmes, motifs --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Allegory (Art) --- Signs and symbols in art --- Themes, motives. --- Psychological aspects --- Subjects --- Symbolism in art. --- Thèmes, motifs --- Kunst --- Geschiedenis --- symboliek --- Narcissus [Mythological character]
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sculpting --- Sculpture --- installations [visual works] --- Arte Povera --- Art styles --- Art --- Kounellis, Jannis --- anno 1900-1999 --- anno 1960-1969 --- anno 2000-2099 --- anno 1970-1979 --- Greece --- Sculpture, Greek --- Installations (Art) --- Sculpture grecque --- Kounellis, Jannis, --- Criticism and interpretation.
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Delaroche, Paul --- Painters --- History in art. --- Peintres --- Histoire dans l'art --- Biography. --- Biographies --- Delaroche, Paul, --- historieschilderkunst --- History in art --- CDL --- 75.071 DELAROCHE --- Historical art --- Art and history --- Delaroche, Hippolyte, --- Criticism and interpretation. --- Frankreich --- Geschichte 1830,ca.-1856 --- historiestukken --- historiestukken. --- Delaroche, Paul.
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The nineteenth century was a remarkable period in art history during which the practices of painting, printmaking and photography intersected in new and unexpected ways. Massive changes in the technology of reproduction took place, and France in particular became a leading testing ground for new printing and photographic techniques. This abundantly illustrated book investigates for the first time the complex and lively interactions between painting, printmaking and photography in France during the 1800s. Cultural historian Stephen Bann explores why rising reproductive media did not supplant traditional modes and how, instead, printmakers, photographers and painters influenced and inspired each other's work, together creating a visual culture of unique richness and breadth. The book focuses especially on pictorial reproduction involving painting, printmaking and photography in combination. Bann includes in the discussion the interweaving careers of Ingres and such contemporary painters as Vernet and Delaroche, such printmakers as lithographer Nicolas Charlet and engraver Luigi Calamatta and such pioneering photographers as Niepce, Daguerre and Robert Bingham. Setting the nineteenth-century issues of reproduction in the context of art history and theory, Bann also offers insights into the nature of art reproduction in our own era of radically changing reproduction technology.
Graphic arts --- Painting --- Photography --- anno 1800-1899 --- France --- technieken --- schilderkunst --- fotografie --- grafiek --- reproducties --- 19de eeuw --- Frankrijk --- 76 <44> "18" --- 77 <44> --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- Fotografie--Frankrijk --- Prints, French --- Study and teaching --- History. --- History --- 77 <44> Fotografie--Frankrijk --- 76 <44> "18" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- Oil painting --- Painting, Primitive --- Paintings --- French prints --- Study and teaching&delete& --- CDL --- 7.035 --- 19de eeuw. --- Frankrijk.
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grafiek --- geschiedenis --- handel --- Nadar, Félix --- Aubry-Lecomte, Hyacinthe-Louis-Victor-Baptiste --- Lemud, Aimé de --- Flameng, Léopold --- Waltner, Charles --- Gaillard, Claude Ferdinand --- 19de eeuw --- Frankrijk --- kunst --- negentiende eeuw --- lithografie --- steendruk --- etskunst --- burijngravure --- Aubry-Lecomte Hyacynthe --- Flameng Léopold --- Gaillard Ferdinand --- de Lemud Aimé --- Nadar --- Tournachon Gaspard Félix --- reproductie --- 76.035 --- 76 <44> "18" --- 76.02 --- 930.85 <44> "18" --- 76 <44> "18" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- Technieken van de grafische kunsten --- 76.02 Technieken van de grafische kunsten --- Cultuurgeschiedenis. Kultuurgeschiedenis--Frankrijk--19e eeuw. Periode 1900-1999 --- Art and society --- Image (Philosophy) --- Prints, French --- Prints --- Fine prints --- Graphic arts --- French prints --- Philosophy --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- geschiedenis. --- handel. --- Nadar, Félix. --- Aubry-Lecomte, Hyacinthe-Louis-Victor-Baptiste. --- Lemud, Aimé de. --- Flameng, Léopold. --- Waltner, Charles. --- Gaillard, Claude Ferdinand. --- 19de eeuw. --- Frankrijk.
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Contents: I. Constructivism in Russia: 1920-23 ; II. Toward International Constructivism: 1921-22 ; III. Constructivism and the Little Magazines: 1923-24 ; IV. Extension of Constructivist Principles: 1923-28 ; V. Retrospect, Theory, and Prognosis: 1928-32 ; VI. The Constructive Idea in Europe: 1930-42 ; VII. The Constructive Idea in the Postwar World: 1923-24 Lissitzky, El ; Gabo, Naum ; Tatlin, Vladimir ; van Doesburg, Theo ; etc.
Constructivism (Art) --- Art, Modern --- Constructivisme (Art) --- Art --- Constructivism (Art).
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7.044 --- 930.21 "18" --- Historiography --- -Historiography --- -Historical criticism --- History --- Authorship --- Iconografie: geschiedkundige voorstellingen; staatshandelingen; veldslagen --- Historiografie: 19de eeuw --- -History --- -Authorship --- Criticism --- -Iconografie: geschiedkundige voorstellingen; staatshandelingen; veldslagen --- -7.044 --- 930.21 "18" Historiografie: 19de eeuw --- 7.044 Iconografie: geschiedkundige voorstellingen; staatshandelingen; veldslagen --- -930.21 "18" Historiografie: 19de eeuw --- Historical criticism
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Art, Modern --- -Art --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Modern art --- Psychology --- Art --- Psychology. --- -Psychology --- painting [image-making] --- Painting --- experimentation --- -Modern art --- Art, Occidental --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists)
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Stephen Bann explores the 'origins' of modernism; he questions the conflation of modernism with twentieth century art. This book examines the arguments for the centrality of French modernist painting. Bann focuses particularly on the notion of the modernist break, as it has been interpreted with regard to painters like Manet and Ingres. He also argues that 'curiosity' - with its origins in the seventeenth-century world-view - can be a valid concept for understanding some aspects of contemporary art that contest the modern. The term 'curiosity' has often been used to describe practices of collecting and creating objects that are set apart from the hegemonic order of high or academic art. In the nineteenth century 'curiosity' became identified with a new aesthetic close to, if not identical with, that of the 'modern'. Curiosity has resurfaced as a widespread and noteworthy feature of present-day art, connected not only to the creation of objects but also to a discernible shift in museological practice. The artists selected for discussion will include in particular Hubert Duprat, from France, and Gerhard Lang, from Germany. Their orientation with regard to curiosity brings to the surface the broader question of the shared heritage of art and science.
7.039 --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- Modernism (Art). --- Art, Modern --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art --- Painting, French --- Modernisme (Art) --- Peinture française
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