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'This welcome addition to the literature explores the connection between music and the social production of remote places. In a series of case studies from around the world, the book succinctly lays out the challenges of peripheral locales, but we also learn how musical activities emerge because they take place in the periphery, not just in spite of relative isolation. In a timely fashion, Christina Ballico and her co-authors effectively communicate these ideas in the context of a contemporary, inter-connected world.' -Ola Johansson, University of Pittsburgh at Johnstown, USA. 'An important contribution to the growing body of music cities literature, this excellent collection is a welcome introduction to how music scenes thrive in cities isolated geographically or in small communities far away from metropolitan regions. From Australia's urbanized, yet isolated music hotspot, Perth, to the farthest reaches of rugged, northwest Canada, to a village on the Faroe Islands, the reader will learn how participants in these music scenes leverage their challenges for success.' -Michael Seman, Colorado State University, USA. 'Most histories and geographies of popular music have focused on artists and scenes in big famous cities-London, New York, Liverpool, Seattle, Nashville. Yet the most interesting stories come far from the global centres, in the margins. After all, popular music has always had an antiestablishment streak. From Papua New Guinea to Chile, Thunder Bay to the Faroe Islands, authors in this innovative and important collection show how music flourishes in unlikely places, overcoming tyrannies of distance but also seizing opportunities that accompany isolation. As the book renders clear, true inspiration and ingenuity emerges not in the spotlight, but from the shadows.' -Chris Gibson, University of Wollongong, Australia. This book explores the influence of geographical isolation and peripherality on the functioning of music industries and scenes which operate within and from such locales. As is explored, these sites engage dynamic practices to offset challenges resulting from geographical isolation and peripherality. Dr Christina Ballico is an Adjunct Research Fellow at the Queensland Conservatorium Research Centre, Griffith University, Australia, and the co-editor of Music Cities: Evaluating a Global Policy Concept (2020).

Philosophy and psychology of culture --- Sociology of culture --- Environmental planning --- Music --- Social geography --- ruimtelijke ordening --- cultuur --- muziek

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This book provides a critical academic evaluation of the ‘music city’ as a form of urban cultural policy that has been keenly adopted in policy circles across the globe, but which as yet has only been subject to limited empirical and conceptual interrogation. With a particular focus on heritage, planning, tourism and regulatory measures, this book explores how local geographical, social and economic contexts and particularities shape the nature of music city policies (or lack thereof) in particular cities. The book broadens academic interrogation of music cities to include cities as diverse as San Francisco, Liverpool, Chennai, Havana, San Juan, Birmingham and Southampton. Contributors include both academic and professional practitioners and, consequently, this book represents one of the most diverse attempts yet to critically engage with music cities as a global cultural policy concept.

Philosophy and psychology of culture --- Sociology of cultural policy --- cultuur --- cultuurbeleid

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This welcome addition to the literature explores the connection between music and the social production of remote places. In a series of case studies from around the world, the book succinctly lays out the challenges of peripheral locales, but we also learn how musical activities emerge because they take place in the periphery, not just in spite of relative isolation. In a timely fashion, Christina Ballico and her co-authors effectively communicate these ideas in the context of a contemporary, inter-connected world. Ola Johansson, University of Pittsburgh at Johnstown, USA. An important contribution to the growing body of music cities literature, this excellent collection is a welcome introduction to how music scenes thrive in cities isolated geographically or in small communities far away from metropolitan regions. From Australia's urbanized, yet isolated music hotspot, Perth, to the farthest reaches of rugged, northwest Canada, to a village on the Faroe Islands, the reader will learn how participants in these music scenes leverage their challenges for success. Michael Seman, Colorado State University, USA. Most histories and geographies of popular music have focused on artists and scenes in big famous cities: London, New York, Liverpool, Seattle, Nashville. Yet the most interesting stories come far from the global centres, in the margins. After all, popular music has always had an anti-establishment streak. From Papua New Guinea to Chile, Thunder Bay to the Faroe Islands, authors in this innovative and important collection show how music flourishes in unlikely places, overcoming tyrannies of distance but also seizing opportunities that accompany isolation. As the book renders clear, true inspiration and ingenuity emerges not in the spotlight, but from the shadows. Chris Gibson, University of Wollongong, Australia. This book explores the influence of geographical isolation and peripherality on the functioning of music industries and scenes which operate within and from such locales. As is explored, these sites engage dynamic practices to offset challenges resulting from geographical isolation and peripherality. Dr Christina Ballico is an Adjunct Research Fellow at the Queensland Conservatorium Research Centre, Griffith University, Australia, and the co-editor of Music Cities: Evaluating a Global Policy Concept (2020).

Music --- Music and anthropology. --- Music trade. --- Human geography. --- Social aspects. --- Anthropo-geography --- Anthropogeography --- Geographical distribution of humans --- Social geography --- Anthropology --- Geography --- Human ecology --- Music business --- Music industry --- Cultural industries --- Anthropology and music --- Music and society