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Den Begriff des Tier(reichs) aufnehmend, entwerfen zwölf literarische Texte Ballhausens eine Zoologie des Imaginären. Auf der Basis des vierzehnteiligen mathematischen Denkspiels Stomachion entwickeln die digitalen Zeichnungen Peytchinskas ein Netz, ein sich faltend durch den Buchraum bewegendes theoretisches Tier (Origamion). Seine Linien, die gleichzeitig als Grenze und als Erweiterung von Sprache zu verstehen sind, verschränken sich in ihrer Bewegung mit dem Text. Literatur und Zeichnung treten in Dialog, ein Atlas der Sprachkunst manifestiert sich in Form einer neuen Ordnung. So wird FAUNA als ein zu öffnender Denkraum erfahrbar, ohne dass die Lesbarkeit dieser künstlerischen Unternehmung beeinträchtigt wird – Zeichnungen und Texte treffen sich als Akteure auf der Bühne des Buchraums. Referencing the animal kingdom, Ballhausen’s twelve literary texts create an imaginary zoological scenario. Based on Stomachion, the 14-part mathematical mind game, Peytchinska’s digital drawings develop a network – a theoretical animal (Origamion) that moves through the book space with the folding action. Its lines, which should be understood as boundary as well as an extension of language, interweave with the text as they move through the book. Literature and drawing enter into a dialog – an atlas of language art manifests in the form of a new order. In this way, FAUNA can be experienced as a thinking space that is to be opened – without however interfering with the readability of this artistic enterprise; drawings and text meet as actors on the stage of the book space.
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The terms »mind« and »matter« appear to signify two concepts irreplaceable and permanent in nature. The increasing challenges and modes of reflection of digital life and cultural creation have contributed to a productive doubting of said dichotomy. Net culture has exposed the causality of the two only superficially contradictory systems and translated these into new technological realities. This publication, using an interdisciplinary approach, strives to investigate the entanglement of cultural, artistic and technical praxis, to document the developments, to clarify the status quo of the scientific community in a practical and exemplary fashion and to enable glimpses of potential future developments.
Conference proceedings --- Mass media and art --- Technology and the arts --- Archives
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Space activities are one particularly visible area, where Europe can shape its identity. This publication investigates the effect space activities have already had on building a European “spirit” (e.g. through European missions or European astronauts). It also looks into the effects that activities labelled “national” have on the emergence of a European identity. Based on this analysis, the book's intention is to identify creative ways and means for how to further use space for shaping the European identity. For this purpose the focus is not only on policy analysis but also on expertise from the fields of cultural science and the arts in order to tap their creative potential and also their theoretical approaches to the topic. Selecting this theme provides ESPI with another opportunity to develop its trans-disciplinary approach.
Group identity --- Astronautics --- Space exploration. --- Astronautics and state --- Engineering. --- Law of the sea. --- International law. --- Aerospace engineering. --- Astronautics. --- Aerospace Technology and Astronautics. --- Law of the Sea, Air and Outer Space. --- Space sciences --- Aeronautics --- Astrodynamics --- Space flight --- Space vehicles --- Law of nations --- Nations, Law of --- Public international law --- Law --- High seas, Jurisdiction over --- Marine law --- Ocean --- Ocean law --- Sea, Law of the --- International law --- Maritime law --- Territorial waters --- Aeronautical engineering --- Engineering --- Law and legislation
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