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Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity's most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.
Cinéma --- Critique cinématographique --- Motion pictures --- Film criticism --- Histoire et critique --- History --- Histoire et critique. --- Film --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- Germany --- Film criticism. --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Evaluation --- aesthetics and german cinema. --- bela balazs. --- cinema and film. --- early 20th century german film. --- early 20th century germany. --- early 20th century media. --- film history. --- film scholarship. --- film studies. --- film theory. --- fritz lang. --- fw murnau. --- german cinema. --- german cinematography. --- german film. --- german filmmaking. --- german media. --- german study of film. --- history of cinema. --- history of german film. --- study of german film. --- weimar cinema. --- weimar filmmakers.
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Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology.
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Philosophy and psychology of culture --- Mass communications --- Film
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We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something "unwatchable": disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the "unwatchable" across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.
Aversion --- Mass media --- Visual communication --- Mass media and the arts --- Image (Philosophy) --- Representation (Philosophy) --- Visual perception --- media --- massamedia --- visuele communicatie --- film --- televisie --- internet --- kunst --- kunsttheorie --- receptie-esthetica --- psychologie --- waarneming --- 7.01 --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Arts and mass media --- Arts --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Abhorrence --- Antipathy --- Disgust --- Dislike --- Disrelish --- Distaste --- Loathing --- Repugnance --- Emotions --- Representationalism (Philosophy) --- Representationism (Philosophy) --- Culture --- Philosophy --- Psychological aspects --- PERFORMING ARTS / General. --- VISUAL COMMUNICATION --- REPRESENTATION (PHILOSOPHY) --- VISUAL PERCEPTION --- ART --- PHILOSOPHY --- PSYCHOLOGY --- Visual Communication --- Visual Perception --- Art --- Psychology --- Representation (philosophy)
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