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In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument for his 'cembalo che fa il piano e forte', which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J.S. Bach, Clementi, Haydn, Mozart, and Beethoven. Collecting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of 18th-century Europe, providing a valuable resource for music historians, organologists, and performers.
Piano --- Concert grand (Piano) --- Fortepiano --- Grand piano --- Pianoforte --- Spinet (Piano) --- Spinnet (Piano) --- Upright piano --- Keyboard instruments --- Toy piano --- History --- 78.43.2
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liederen --- anno 1600-1699 --- Germany
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pianotrio's --- anno 1800-1899 --- Austria
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517 --- Uitvoeringspraktijk --- pianomuziek --- uitvoeringspraktijk --- composities (muziek) --- Mozart, Wolfgang Amadeus --- Performance practice (Music) --- 18th century --- Piano music --- Interpretation (Phrasing, dynamics, etc.) --- History --- Mozart, Wolfgang Amadeus,
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Music --- Piano music --- Interpretation (Phrasing, dynamics, etc.). --- Mozart, Wolfgang Amadeus,
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