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This title provides an overview of Trier's career while focusing on the more recent work, including his controversial Gold Heart Trilogy.
Trier, Lars von, --- Trier, Lars fon, --- Von Trier, Lars, --- Триер, Ларс фон, --- Criticism and interpretation. --- Trier, von, Lars
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This book argues that adaptation is an underrecognized yet constitutive element of Nordic noir. In so doing, it reframes the prevailing critical view. Now celebrated for its global sweep, Nordic noir is equally a transmedial phenomenon. Nordic Noir, Adaptation, Appropriation deploys the tools of current adaptation studies to undertake a wide-ranging transcultural, intermedial exploration, adding an important new layer to the rich scholarship that has arisen around Nordic noir in recent years.
Film adaptations --- Noir fiction --- Film noir --- Motion pictures. --- Film genres. --- History and criticism. --- Genre films --- Genres, Film --- Motion picture genres --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Cinéma noir --- Dark crime films --- Film noirs --- Films noirs --- Noir films --- Crime films --- Detective and mystery stories --- Fiction --- Plots, themes, etc. --- History and criticism --- Adaptation Studies. --- Genre.
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With the consolidation of 'indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe 'maverick' white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream 'chick flick' and the ideological and experimental radicalism of feminist counter-cinema alike, women's indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the 'difference' of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work - while embracing the 'in-between' space in which the narratives they represent and embody can be revealed.
Motion pictures --- Independent filmmakers --- Women motion picture producers and directors --- Independent moviemakers --- Motion picture producers and directors --- Independent films --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Indie films --- History and criticism. --- History --- Film --- United States --- United States of America --- WOMEN IN MOTION PICTURES --- PERFORMING ARTS
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This book argues that adaptation is an underrecognized yet constitutive element of Nordic noir. In so doing, it reframes the prevailing critical view. Now celebrated for its global sweep, Nordic noir is equally a transmedial phenomenon. Nordic Noir, Adaptation, Appropriation deploys the tools of current adaptation studies to undertake a wide-ranging transcultural, intermedial exploration, adding an important new layer to the rich scholarship that has arisen around Nordic noir in recent years.
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82-311.9 --- Body, Human, in literature --- Horror tales, American --- -Horror tales, English --- -English horror tales --- English fiction --- American horror tales --- American fiction --- Human figure in literature --- Science fiction --- History and criticism --- Barker, Clive --- -King, Stephen --- -Rice, Anne --- -קינג, סטיבן --- Criticism and interpretation --- Horror tales, English --- Human body in literature. --- Popular literature --- History and criticism. --- -Science fiction --- -Criticism and interpretation --- 82-311.9 Science fiction --- -Body, Human, in literature --- English horror tales --- Human body in literature --- Barker, Clive, --- King, Stephen, --- Rice, Anne, --- Raĭs, Ėnn, --- Райс, Энн, --- O'Brien, Howard Allen Frances, --- Rice, Anne O'Brien, --- O'Brien, Anne, --- Rampling, Anne, --- Roquelaure, A. N. --- King, Stiven, --- King, Stivn, --- Кинг, С., --- Кинг, Стивен, --- קינג, סטיפן, --- קינג, סטיבן, --- Bachman, Richard --- Баркер, Клайв, --- בארקר, קלייב, --- Criticism and interpretation. --- King, Stephen --- LITTERATURE D'EPOUVANTE AMERICAINE --- LITTERATURE D'EPOUVANTE ANGLAISE --- KING (STEPHEN), 1947 --- -BARKER (CLIVE), 1952 --- -RICE (ANNE), 1941 --- -CORPS HUMAIN DANS LA LITTERATURE --- HISTOIRE ET CRITIQUE
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The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, and so on.
Motion pictures. --- Fine Arts. --- Film --- Music, Dance, Drama & Film --- Cinéma --- Caractère national --- Cinéma. --- Caractère national. --- Foreign films. --- Films, Foreign --- Motion pictures, Foreign --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Film adaptations --- Noir fiction --- Film noir --- History and criticism. --- History and criticism. --- History and criticism.
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